• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611

Film Studies in 1992

Meaning in Film: Relevant Structures in Soundtrack and Narrative by Nasta, Dominique
Laura as Novel, Film, and Myth by McNamara, Eugene
Contemporary Argentine Cinema by Foster, David William
African Cinema: Politics & Culture by Daiwara, Manthia, Diawara, Manthia
From Hitler to Heimat: The Return of History as Film by Kaes, Anton
Postmodernism, or, The Cultural Logic of Late Capitalism by Jameson, Fredric
The Yellow Earth: A Film by Chen Kaige, with a Complete Translation of the Filmscript by McDougall, Bonnie
James Stewart: A Bio-Bibliography by Molyneaux, Gerard
Janet Gaynor: A Bio-Bibliography by Billips, Connie J.
Jewish Film Directory by Unknown
Widescreen Cinema by Belton, John
Screening the Male: Exploring Masculinities in the Hollywood Cinema by
Representing Reality: Issues and Concepts in Documentary by Nichols, Bill
Republic of Images: A History of French Filmmaking by Williams, Alan
Cahiers Du Cinéma by
The Stars Appear by Maccann, Richard Dyer
We're in the Money: Depression America and It's Films by Bergman, Andrew
John Wayne: A Bio-Bibliography by Riggin, Judith
Henry Fonda: A Bio-Bibliography by Sweeney, Kevin
Interpreting Films: Studies in the Historical Reception of American Cinema by Staiger, Janet
The Red Screen: Politics, Society, Art in Soviet Cinema by
New Vocabularies in Film Semiotics: Structuralism, post-structuralism and beyond by
The Red Screen: Politics, Society, Art in Soviet Cinema by
Cuba (from the Beginnings to 1990) by
New Vocabularies in Film Semiotics: Structuralism, post-structuralism and beyond by
Male Subjectivity at the Margins by Silverman, Kaja
Before Video: A History of the Non-Theatrical Film by Slide, Anthony
To Free the Cinema: Jonas Mekas and the New York Underground by
The Cinema of Federico Fellini by Bondanella, Peter
Film Music: A Neglected Art by Prendergast, Roy M., Pendergast, Roy M.
Sound Theory/Sound Practice by
The Cinematic Griot: The Ethnography of Jean Rouch by Stoller, Paul
Ethel Merman: A Bio-Bibliography by Bryan, George B., Bryan, Geroge B.
New Australian Cinema: Sources and Parallels in American and British Film by McFarlane, Brian, Mayer, Geoff
Visions of Empire: Political Imagery in Contemporary American Film by Prince, Stephen
Visions of Empire: Political Imagery in Contemporary American Film by Prince, Stephen
The Hispanic Image on the Silver Screen: An Interpretive Filmography from Silents Into Sound, 1898-1935 by Richard, Alfred Charles
Celluloid Wars: A Guide to Film and the American Experience of War by Curley, Stephen, Wetta, Frank
The Zero Hour: Glasnost and Soviet Cinema in Transition by Brashinsky, Michael, Horton, Andrew
Visible Fictions: Cinema: Television: Video by Ellis, John
American Religious and Biblical Spectaculars by Forshey, Gerald E.
High Anxiety: Catastrophe, Scandal, Age, and Comedy by Mellencamp, Patricia
By Design: Interviews with Film Production Designers by LoBrutto, Vincent
By Design: Interviews with Film Production Designers by LoBrutto, Vincent
Reflexivity in Film and Culture: From Don Quixote to Jean-Luc Godard by Stam, Robert
The Aesthetics of Ambivalence: Rethinking Science Fiction Film in the Age of Electronic (Re) Production by Landon, Brooks
Subversive Pleasures: Bakhtin, Cultural Criticism, and Film by Stam, Robert
Passions and Deceptions: The Early Films of Ernst Lubitsch by Hake, Sabine
Film as Ethnography by
Casablanca: Behind the Scenes by Lebo, Harlan
The Anarchy of the Imagination: Interviews, Essays, Notes by Fassbinder, Rainer Werner
The Devil's Candy: The Bonfire of the Vanities Goes to Hollywood by Salamon, Julie
Robert Mitchum: A Bio-Bibliography by Roberts, Jerry, Roberts, J. W.
The Cinema in France: After the New Wave by Forbes, Jill
Classical Hollywood Narrative: The Paradigm Wars by
Maureen Stapleton: A Bio-Bibliography by Woods, Jeannie Marlin
A Critical Cinema 2: Interviews with Independent Filmmakers by MacDonald, Scott
The Sexual Subject: Screen Reader in Sexuality by
The Sexual Subject: Screen Reader in Sexuality by
Directory of African Film-Makers and Films by
Eloquent Gestures: The Transformation of Performance Style in the Griffith Biograph Films by Pearson, Roberta
Eloquent Gestures by Pearson, Roberta
Nonfiction Film: A Critical History Revised and Expanded by Barsam, Richard
Agnes Moorehead: A Bio-Bibliography by Kear, Lynn
Tele-Advising: Therapeutic Discourse in American Television by White, Mimi
The Hollywood Musical by Feuer, Jane
Colleen Dewhurst: A Bio-Bibliography by Horn, Barbara Lee
Popular European Cinema by
Streetwalking on a Ruined Map: Cultural Theory and the City Films of Elvira Notari by Bruno, Giuliana
Film Theory Goes to the Movies: Cultural Analysis of Contemporary Film by
What Made Pistachio Nuts?: Early Sound Comedy and the Vaudeville Aesthetic by Jenkins, Henry