Film Studies in 2008

Zwischenwelten by Wollnik, Sabine

Heartland TV: Prime Time Television and the Struggle for U.S. Identity by Johnson, Victoria E.

Toward a New Film Aesthetic by Isaacs, Bruce

Stagecoach to Tombstone: The Filmgoers' Guide to the Great Westerns by Hughes, Howard

Philosophy of Motion Pictures by Carroll, Noël

Modular Narratives in Contemporary Cinema by Cameron, A.

A Feminine Cinematics: Luce Irigaray, Women and Film by Bainbridge, Caroline

Screening Novel Women: From British Domestic Fiction to Film by Brosh, Liora

Richard Hoggart and Cultural Studies by

Russia and Its Other(s) on Film: Screening Intercultural Dialogue by

Theorizing Desire: From Freud to Feminism to Film by Gorton, K.

Cinema and Community by McKiernan, D.

Eric Rohmer by Tester, K.

Heartland TV: Prime Time Television and the Struggle for U.S. Identity by Johnson, Victoria E.

Kitano Takeshi by Gerow, Aaron

Hollywood Winners and Losers: From A to Z by Thise, Mark M.

Hollywood Heroines: Women in Film Noir and the Female Gothic Film by Hanson, Helen

The New Face of Political Cinema: Commitment in French Film Since 1995 by O'Shaughnessy Martin

Einführung von HDTV im ARD-Sendezentrum. Voraussetzungen und technische Realisierbarkeit. by Glatz, Johannes

Joseph L. Mankiewicz: Interviews by

Canyon Cinema: The Life and Times of an Independent Film Distributor by MacDonald, Scott

Selektives Medienverhalten oder was der Zuschauer mit dem Medium Fernseher macht by J. Kreppel, Krisztina

'Then It Was Destroyed by the Volcano': The Ancient World in Film and on Television by Pomeroy, Arthur J.

The Griffith Project, the Volume 7: Films Produced in 1913 by Usai, Paolo Cherchi

Filmförderung in Frankreich by Monagas, Alexander

Innovation and Firm Performance: An Empirical Investigation for German Firms by Peters, Bettina

Maiden USA: Girl Icons Come of Age by Sweeney, Kathleen M.

Contact Zones: Memory, Origin, and Discourse in Black Diasporic Cinema by Petty, Sheila

Phantoms of War in Contemporary German Literature, Films and Discourse: The Politics of Memory by Fuchs, A.

Fernsehen heute und in der Zukunft: Digitalfernsehen, Kabel- und Satellitengesellschaften, IPTV und Handy-TV by Flath, Herbert

The North American Review V206, Part 1 (1917) by North American Review Corporation

The North American Review V115 (1872) by North American Review Corporation

The North American Review V56 (1843) by Dickens, Charles, Dumas, Alexandre, North American Review Corporation

The North American Review V57 (1843) by North American Review Corporation

The North American Review V82 (1856) by North American Review Corporation

Postmoderne Figurenkonstruktion - Die Auflösung des Ichs: Sailor Ripley in David Lynchs "Wild At Heart" by Heuer, Laura

Die Mafia im 'Paten': Eine Untersuchung der Inszenierung des Phänomens Mafia in der Filmtrilogie 'Der Pate' by Weber, Matthias

The Picture of Abjection: Film, Fetish, and the Nature of Difference by Chanter, Tina

Daily Talks vs. Gerichtsshows: Ein kommunikationswissenschaftlicher Vergleich der beiden Fernsehgenres by Gunst, Johannes

Die filmischen Techniken in Orson Welles´ "Citizen Kane" by Loth, Franziska

More Than Night: Film Noir in Its Contexts by Naremore, James

Screening Modernism: European Art Cinema, 1950-1980 by Kovács, András Bálint

D.W. Griffith's the Birth of a Nation: A History of the Most Controversial Motion Picture of All Time by Stokes, Melvyn

Tom Cruise: An Unauthorized Biography by Morton, Andrew

Lange Einstellungen - Plansequenzen - Was ist eine lange Einstellung? Wie kommt sie zum Einsatz und welche Funktion erfüllt sie im gesamten Film? by Böhm, André

Zwischen Vernunft und Wahnsinn - Konzeptionen der Großstadt im neueren Hollywood-Blockbuster by Hutter, Andres

Shyamalan's "Everyday Hero" by Broodryk, Chris

The Cinema of Small Nations by

Becoming the New Man in Post-Postmodernist Fiction - Portrayals of Masculinities in David Foster Wallace's Infinite Jest and Chuck Palahniuk's Fight C by Delfino, Andrew Steven

Genre and Contemporary Hollywood by Neale, Stephen

Theorising National Cinema by

Dissecting Hannibal Lecter: Essays on the Novels of Thomas Harris by

The Influence of Imagination: Essays on Science Fiction and Fantasy as Agents of Social Change by

Readings in Contemporary Chinese Cinema: A Textbook of Advanced Modern Chinese by Chiang, Joanne, Chou, Chih-P'Ing

Image and Mind: Film, Philosophy and Cognitive Science by Currie, Gregory

African Americans and the Oscar: Decades of Struggle and Achievement by Mapp, Edward

Better Living Through Television by Ouellette, Laurie, Hay, James

Defining Visions 2e by Watson, Mary Ann

Defining Visions: Television and the American Experience in the 20th Century by Watson, Mary Ann

Carlos Sauras Version des Carmen-Stoffes im Kontext seines filmischen Oeuvres by Kutzner, Ann-Katrin

Faszination Fernsehserie. Erklärungsansätze für das Phänomen Fernsehserie als Zuschauermagnet: "Alle Tage wieder ..." by Buchholz, Sabine

The Sacred Cinema of Andrei Tarkovsky by Robinson, Jeremy Mark

Toward a New Film Aesthetic by Isaacs, Bruce

The Cinema of Robert Gardner by

Makhmalbaf at Large: The Making of a Rebel Filmmaker by Dabashi, Hamid

Hollywood's American Tragedies: Dreiser, Eisenstein, Sternberg, Stevens by Merck, Mandy

Reel Histories by

Symbolik im Film am Beispiel von Tom Tykwers "Lola rennt" by Buchholz, Sabine

Indian Literature and Popular Cinema: Recasting Classics by

Cinema and Fascism: Italian Film and Society, 1922-1943 by Ricci, Steven

Formatentwicklung eines Fersehmagazins by Dreißig, Katja

Documentary Time: Film and Phenomenology Volume 21 by Wahlberg, Malin

Marshall McLuhan - mit dem Fernsehen in die Netzwerkgesellschaft by Parigger, Katrin

Licence to Thrill: A Cultural History of the James Bond Films by Chapman, James

Smoke (Paul Auster und Wayne Wang 1994) - Fotografie im Film - Zufall und Zeit - ein Lob auf die Langsamkeit by Kutzner, Ann-Katrin

Better Living Through Reality TV: Television and Post-Welfare Citizenship by Ouellette, Laurie, Hay, James

Networks of Entertainment: Early Film Distribution 1895a 1915 by

Building Bridges: The Cinema of Jean Rouch by

L.A. Noir: Nine Dark Visions of the City of Angels by Hare, William

Entwicklung einer TV-Movie-Package-Strategie für den deutschen Fernsehmarkt by Hoffmann, Stefan

Television in the Multichannel Age: A Brief History of Cable Television by Mullen, Megan

The Hollywood Historical Film by Burgoyne, Robert

Auteurs and Authorship: A Film Reader by

The Contemporary Hollywood Film Industry by

Bambi vs. Godzilla: On the Nature, Purpose, and Practice of the Movie Business by Mamet, David

Latinos in American Films by Häntzschel, Jana

Screening Novel Women: From British Domestic Fiction to Film by Brosh, Liora

Zombie Culture: Autopsies of the Living Dead by

The Films of Sergio Leone by Cumbow, Robert C.

Eric Rohmer: Film as Theology by Tester, K.

Post-Stalinist Cinema and the Russian Intelligentsia, 1953-1960 - Strategies of Self-Representation, De-Stalinization, and the National Cultural Tradi by Kapterev, Sergei

One Earth, One People: The Mythopoeic Fantasy Series of Ursula K. Le Guin, Lloyd Alexander, Madeleine l'Engle and Orson Scott Card by Oziewicz, Marek

Die Zukunft der Kinematographie by Stalla, Philippe

Filmzensur und -politik in der DDR. Untersuchung an ausgewählten Filmen von Jürgen Böttcher in den sechziger Jahren by Hartmann, Astrid

"Cinema Paradiso" - Nostalgie des (europäischen) Kinos by Hochhuth, T., Krivachy, J., Trog, O.

Postsocialist Modernity: Chinese Cinema, Literature, and Criticism in the Market Age by McGrath, Jason

Entwicklung und Bedeutung der Farbe im Film am Beispiel von Gary Ross "Pleasantville" by Wagner, Christoph

"The Taming of the Shrew": William Shakespeare 1593/94 und Franco Zeffirelli 1967 by Glubrecht, Vera-Marlene

Jonas Mekas und das New American Cinema by Maldunaite-Christ, Laima

Die Propagandafilme von Charlie Chaplin by Heyer, Martin

Lecons De Cinematique: Professees A La Sorbonne (1897) by Koenigs, Gabriel

The Quest for American Manhood - Issues of Race and Gender in David Rabe's Vietnam Trilogy by Altwein, Sabine

Sydney Pollack: A Critical Filmography by Meyer, Janet L.

Russisches Montagekino by Wildt, Andrea

Analyse der Erzählstruktur von Memento by Wildt, Andrea

Working with Walt: Interviews with Disney Artists by Peri, Don

Science Fiction Serials: A Critical Filmography of the 31 Hard SF Cliffhangers; With an Appendix of the 37 Serials with Slight SF Content by Kinnard, Roy

John Wayne und 'Chisum': "Big Duke does it again?" - Eine Sequenzanalyse by Lippe, Carsten

Popular Front Paris and the Poetics of Culture by Andrew, Dudley, Ungar, Steven

Hollywood Independents: The Postwar Talent Takeover by Mann, Denise

Theaters of Occupation: Hollywood and the Reeducation of Postwar Germany by Fay, Jennifer

Federalism, Nationalism and Development: India and the Punjab Economy by Singh, Pritam

The Magnificent Showman the Epic Films of Samuel Bronston (hardback) by Martin, Mel

Italian Locations: Reinhabiting the Past in Postwar Cinema by Steimatsky, Noa

Cult Films: Taboo and Transgression: A Select Survey Over 9 Decades by Havis, Allan

Politics of Documentary by Chanan, Michael

The Magnificent Showman the Epic Films of Samuel Bronston by Martin, Mel

Palestinian Cinema: Landscape, Trauma, and Memory by Gertz, Nurith, Khleifi, George

Hollywood in the Neighborhood: Historical Case Studies of Local Moviegoing by

Stalinist Cinema and the Production of History: Museum of the Revolution by Dobrenko, Evgeny

The History of Media and Communication Research: Contested Memories by

Politische Talkshows: Bühne frei für moderne Politikvermittlung oder Politikerinszenierung? by Stillert, Silvia

The Spoken Words of Spirit: Lessons from the Other Side by Fargiano, Jim

From Impressionism to Anime: Japan as Fantasy and Fan Cult in the Mind of the West by Napier, S.

Turbulence and Flow in Film: The Rhythmic Design by Bíro, Yvette

Theorizing Desire: From Freud to Feminism to Film by Gorton, K.

Bette Davis: The Performances That Made Her Great by McNally, Peter

English in International Deaf Communication by

She's Gotta Have It: A Narrative Case Study by Odom, Christopher C.

Moral Spectatorship: Technologies of Voice and Affect in Postwar Representations of the Child by Cartwright, Lisa

George Raft by Wallace, Stone

Reading the French New Wave: Critics, Writers and Art Cinema in Franceâ by Ostrowska, Dorota

Studying Gladiator: Instructor's Edition by Irvine, Sandy

Studying City of God by Muir, Stephanie

Studying the Usual Suspects: Instructor's Edition by Gunn, Judith

Studying the Wicker Man: Instructor's Edition by Rolston, Lorraine, Murray, Andy

Studying the Sixth Sense: Instructor's Edition by Kirwan-Hayhoe, Mark

Adapting Nathaniel Hawthorne to the Screen: Forging New Worlds by Raw, Laurence

Conversations with Directors: An Anthology of Interviews from Literature/Film Quarterly by

George Raft by Wallace, Stone

Elemente des Film Noir in den Filmen "Blue Velvet" und "Lost Highway" von David Lynch by Lühn, Sebastian

Movie Medievalism: The Imaginary Middle Ages by Haydock, Nickolas

Ingmar Bergman Revisited: Performance, Cinema, and the Arts by

'Weltfernsehen' - die internationale Vermarktung der Quizshow 'Wer wird Millionär?' by Hochmuth, Teresa

Charakteristika des neusachlichen Films: Berlin - Die Sinfonie der Großstadt by Hochmuth, Teresa

Der Wandel des Männlichkeitsbildes im Neuen Britischen Kino: Analysiert auf der Grundlage der dargestellten Männlichkeiten in Billy Elliot von Stephen by Cornelius, Christine

Masculine Singular: French New Wave Cinema by

Production Culture: Industrial Reflexivity and Critical Practice in Film and Television by Caldwell, John Thornton

Ted Bundy vs. Fritz Haarmann: Ein Vergleich der Inszenierung von Serienmördern im Film by Stamatovic, Helena

Welche Bedingungen sind an Fan Fiktion gebunden?: Die Voraussetzungen des Fernsehtextes und der Rezipienten für die Aneignung von Serien by Hillegaart, Maria

Stardom, Italian Style: Screen Performance and Personality in Italian Cinema by Landy, Marcia

Judenrollen: Darstellungsformen Im Europäischen Theater Von Der Restauration Bis Zur Zwischenkriegszeit by

Fernsehen aus der Ferne gesehen: Ein Überblick über die jüngere Geschichte der wissenschaftlichen Analyse von Fernsehrezeption by Fink, Patrick

Born in Flames: Termite Dreams, Dialectical Fairy Tales, and Pop Apocalypses by Hampton, Howard

A Foreign Affair: Billy Wilder's American Films by Gemünden, Gerd

Black Space: Imagining Race in Science Fiction Film by Nama, Adilifu

Sociology Through the Projector by Bagge Laustsen, Carsten, Diken, Bulent

French Colonial Documentary: Mythologies of Humanitarianism by Bloom, Peter J.

Why Did It Have to Be Snakes: From Science to the Supernatural, the Many Mysteries of Indiana Jones by Gresh, Lois H.

A Foreign Affair: Billy Wilder's American Films by Gemünden, Gerd

Hartmut Bitomsky "Der VW-Komplex": Eine Analyse by Gries, Cordula

Paul Dahlke in Gastrollen der ZDF-Fernsehproduktionen "Der Kommissar", "Derrick" und "Der Alte" by Rauch, Mirco

Why Did It Have to Be Snakes: From Science to the Supernatural, the Many Mysteries of Indiana Jones by Gresh, Lois H.

The Cult Film Reader by

The Decline of Sentiment: American Film in the 1920s by Jacobs, Lea

The Early Sartre and Marxism by Coombes, Sam

Freud's Drive: Psychoanalysis, Literature and Film: Psychoanalysis, Literature and Film by de Lauretis, Teresa

The Shifting Definitions of Genre: Essays on Labeling Films, Television Shows and Media by

Hitler in der Filmkomödie: Exemplarische Fallstudien zur Funktion des Komischen by Beigel, Frauke

Ästhetik des Politischen im Film "Die bleierne Zeit" von Margarethe von Trotta by Gries, Cordula

The Actor's Art and Craft: William Esper Teaches the Meisner Technique by Esper, William, DiMarco, Damon

Road Movies: From Muybridge and Méliès to Lynch and Kiarostami by Orgeron, D.

The Films of Stephen King: From Carrie to Secret Window by Magistrale, T.

The Politics of Caribbean Cyberculture by Best, C.

Remembering the Occupation in French Film: National Identity in Postwar Europe by Hewitt, L.

The Films of Stephen King: From Carrie to Secret Window by Magistrale, T.

Reading Mark Strand: His Collected Works, Career, and the Poetics of the Privative by Nicosia, J.

Road Movies: From Muybridge and Méliès to Lynch and Kiarostami by Orgeron, D.

Once Upon a Time There Was a Country - National and Cynicism in the Post-1990s Balkan Cinema by Mazaj, Meta

Das Zuschauermodell der psychoanalytischen Filmtheorie und des Neoformalismus: Eine Gegenüberstellung by Witte, Viktor

Fight Pictures: A History of Boxing and Early Cinema by Streible, Dan

Fantasie und Realität: Untersuchung der Auffälligkeiten in den Figurenkonstellationen von François Ozons Filmen by Pöhnert, Julius

Formate im interaktiven Fernsehen: Eine explorative Analyse by Liebmann, Helen

Native Features by Wood, Houston

Spiel mir das Lied vom Drama: Ein Überblick über die dramaturgischen, narrativen und sensorischen Funktionen von Filmmusik im Spielfilm nach 1950 an by Fink, Patrick

Cinematic Thinking: Philosophical Approaches to the New Cinema by

The Time of the Crime: Phenomenology, Psychoanalysis, Italian Film by Torlasco, Domietta

Cinematic Thinking: Philosophical Approaches to the New Cinema by

The SAGE Handbook of Film Studies by

Zur Dramaturgie im Kammerspielthriller by Flade, Uwe

Der Beitrag kommerzieller Fernsehsender zur Entwicklung des seriellen Fernsehkrimis by Sturmberg, Michael

Wild Beyond Belief!: Interviews with Exploitation Filmmakers of the 1960s and 1970s by Albright, Brian