Film Studies in 2015

Contemporary Masculinities in Fiction, Film and Television: Film, Fiction, and Television by Baker, Brian

Taking Fame to Market: On the Pre-History and Post-History of Hollywood Stardom by King, B.

Film, History and Memory by

Adaptation, Authorship, and Contemporary Women Filmmakers by Cobb, S.

The Post-2000 Film Western: Contexts, Transnationality, Hybridity by

A New History of British Documentary by Chapman, J.

Human Rights Film Festivals: Activism in Context by Tascón, Sonia M.

Documentary Films in India: Critical Aesthetics at Work by Sharma, Aparna

The Fascination of Film Violence by Bacon, Henry

Storytelling in the Media Convergence Age: Exploring Screen Narratives by

The Politics of Adaptation: Media Convergence and Ideology by

3D Cinema: Optical Illusions and Tactile Experiences by Ross, Miriam

A History of 1970s Experimental Film: Britain's Decade of Diversity by Gaal-Holmes, P.

The Great War in Popular British Cinema of the 1920s: Before Journey's End by Napper, L.

World Cinema and Cultural Memory by Hedges, I.

The Musicality of Narrative Film by Kulezic-Wilson, D.

Shakespearean Echoes by Wetmore Jr, Kevin J.

Besides the Screen: Moving Images Through Distribution, Promotion and Curation by

The Zombie Renaissance in Popular Culture by

Life in the Past Lane-Volume Two by Hill, Jason

From Self-Fulfilment to Survival of the Fittest: Work in European Cinema from the 1960s to the Present by Mazierska, Ewa

Doubling, Distance and Identification in the Cinema by Coates, P.

Film Noir: A Selective Annotated Bibliography of Dissertations and Theses by Hester, Elizabeth J.

Mario Lanza: Singing to the Gods by Mannering, Derek

The Mind-Game Film. Cinema in the Digitalized Societies of Control by Mindermann, Malte

Modern Radio and Audio Production: Programming and Performance by Messere, Frank, Benoit, Philip, Hausman, Carl

Philosophy's Artful Conversation by Rodowick, D. N.

It's Always Sunny in Philadelphia: The 7 Secrets of Awakening the Highly Effective Four-Hour Giant, Today by The Gang

Your Child is Gifted!: Excellent Tips, Advice, and Techniques for Parents Who Want to Secure Acting Roles for Their Children by Griffin, C. Marcellus

The Philosophy of War Films by

Revolutionary Mexico on Film: A Critical History, 1914-2014 by Herzberg, Bob

Mediale Kultur und Geschlecht. Zur Inszenierung von Männlichkeit in US Sitcoms: Von der "I Love Lucy" Show (1951) und "How I Met Your Mother" (2014) by Empl, Haymo

Underreporting. Narration und Dramaturgie der Lüge im aktuellen Mindgame-Film by Sommer, Mirjam

Behind Sach: The Huntz Hall Story (hardback) by Manago, Jim

Fifty Shades of Jamie Dornan - A Biography by Ford, Louise

Die Produktion von TV-Serien im Internet-Zeitalter by Maier, Martin

Name Place Animal Thing by Shekhar, Mayank

Human Rights Film Festivals: Activism in Context by Tascón, Sonia M.

Das Fernsehen des Alexander Kluge by Buchtaleck, Bastian

Analyse der psychischen Belastung von Soldaten in "Jarhead" by Cors, Cathrin

Grindhouse Nostalgia: Memory, Home Video and Exploitation Film Fandom by Church, David

Re-Writing Jesus: Christ in 20th-Century Fiction and Film by Holderness, Graham

Kindheitshelden. Der Einfluss des Werteprofils und die Vorbildfunktion von Trickserien am Beispiel der "Gummibärenbande" by Smith, Laura

Veränderung der Wahrnehmung durch Farbsymbolik in den Filmen "Eyes Wide Shut", "Memento" und "Die fabelhafte Welt der Amélie" by Stark, Rosanna

The World Shall Hear From Me Again: + 99 Essential Movie Quotes by Merida, Pablo

Filmfinanzierung. Die erfolgreiche und finanzielle Umsetzung einer Stoffidee zu einem fertigen Kinofilm by Bliemeister, Mathias

Medienkritik im dystopischen Science-Fiction Roman "Fahrenheit 451": Im Hinblick auf die deutsche Gesellschaft im 21. Jahrhundert by Müller, Adrian

Flickering Empire: How Chicago Invented the U.S. Film Industry by Smith, Michael Glover, Selzer, Adam

Cinema, Slavery, and Brazilian Nationalism by Gordon, Richard A.

Flickering Empire: How Chicago Invented the U.S. Film Industry by Smith, Michael Glover, Selzer, Adam

From Empire to the World: Migrant London and Paris in the Cinema by Guha, Malini

Dreamscapes in Italian Cinema by

Filmanalyse zu "Blue Velvet". Das Aufbrechen der Ignoranz des Imaginären der Gesellschaft by Seidel, Anica

Enttabuisierung in Skripted Reality-Formaten des Reality-TV. Wie machen inhaltliche Tabubrüche dieses Doku-Format auf privaten Sendern erfolgreich? by Lamm, Johanna

Making and Remaking Horror in the 1970s and 2000s: Why Don't They Do It Like They Used To? by Roche, David

Hip Hop on Film: Performance Culture, Urban Space, and Genre Transformation in the 1980s by Monteyne, Kimberley

Die Einfachheit der Wirklichkeit. Das Manifest Dogma 95 von Lars von Trier und Thomas Vinterberg by Seidel, Anica

Doubling, Distance and Identification in the Cinema by Coates, P.

Time and Space in Contemporary Greek-Cypriot Cinema by Socrates, Lisa

Blut, Rache, Gewalt. Die Inszenierung von Weiblichkeit in Filmen von Quentin Tarantino by Köhldorfer, Corinna

Fred Zinnemann and the Cinema of Resistance by Smyth, J. E.

Two Lenses on the Korean Ethos: Key Cultural Concepts and Their Appearance in Cinema by Kim Yoon, Keumsil, Williams, Bruce

Arab American Drama, Film and Performance: A Critical Study, 1908 to the Present by Najjar, Michael Malek

The Comic Galaxy of Mystery Science Theater 3000: Twelve Classic Episodes and the Movies They Lampoon by Morgan, Chris

A Companion to Fritz Lang by

Alien Imaginations: Science Fiction and Tales of Transnationalism by

After the Fact: The Holocaust in Twenty-First Century Documentary Film by Prager, Brad

Mimesis, Movies, and Media: Violence, Desire, and the Sacred, Volume 3 by

New Voices in Arab Cinema by Armes, Roy

"Wir Serienmuffel": Eine Analyse des deutschen Diskurses über Innovativität und Qualität nationaler und internationaler Fernsehserien und by Keller, Miriam

Original und Remake: Filmische Konstruktion und Transfer von kulturellen Werten am Beispiel von "Infernal Affairs" und "The Departed" by Phi, Phuong Anh

So Deadly, So Perverse 50 Years of Italian Giallo Films by Howarth, Troy

Jacques Rivette by Smith, Alison, Morrey, Douglas

Catherine Breillat by Keesey, Douglas

Popular Film Music and Masculinity in Action: A Different Tune by Howell, Amanda

Supercinema: Film-Philosophy for the Digital Age by Brown, William

Palimpsestic Memory: The Holocaust and Colonialism in French and Francophone Fiction and Film by Silverman, Max

Cinema of Choice: Optional Thinking and Narrative Movies by Shaul, Nitzan Ben

Jonas Mekas: Scrapbook of the Sixties: Writings 1954-2010 by

Quentin Tarantino FAQ: Everything Left to Know About the Original Reservoir Dog by Sherman, Dale

Italian Fascism's Empire Cinema by Ben-Ghiat, Ruth

Bodies in Pain: Emotion and the Cinema of Darren Aronofsky by Laine, Tarja

Existentialism and Contemporary Cinema: A Beauvoirian Perspective by

Plastic Reality: Special Effects, Technology, and the Emergence of 1970s Blockbuster Aesthetics by Turnock, Julie

Historical Dictionary of Polish Cinema by Haltof, Marek

The Annotated Marx Brothers: A Filmgoer's Guide to In-Jokes, Obscure References and Sly Details by Coniam, Matthew

Die Talkshow "Günther Jauch" als Moderationsphänomen by Moser, Carina Klara

American Cinematographers in the Great War, 1914-1918 by

The Disney Fetish by Harrington, Seán J.

Als Fellini die Tür zum Neorealismus verschloss und das Fenster zum magischen Realismus öffnete. "La Dolce Vita" by Köhler-Kaeß, Holger

Before the Movies: American Magic-Lantern Entertainment and the Nation's First Great Screen Artist, Joseph Boggs Beale by Borton, Terry, Borton, Debbie

The Wes Anderson Collection: The Grand Budapest Hotel by Seitz, Matt Zoller

Italian Fascism's Empire Cinema by Ben-Ghiat, Ruth, Stoler, Ann Laura

Behind Sach: The Huntz Hall Story by Manago, Jim

The Amazing Book of Movie Trivia by Goldstein, Jack

Das Mindfuck Movie "Fight Club". Ein Filmtrend des zeitgenössischen Kinos mit Veranschaulichung seiner Funktionsweise an einem Prototyp: "Where is my by Reitzki, Maria

Tome of Terror: Horror Films of the 1930s by Workman, Christopher, Howarth, Troy

Forgotten Horrors Vol. 7: Famished Monsters of Filmland by Wooley, John, Price, Michael H.

Die Evolution des Films. Warum das Fernsehen größer als das Kino wird: Inklusive einer Analyse der US-Serie "Shameless" mit William H. Macy, Emmy Ross by Köhler-Kaeß, Holger

My Life as a Mankiewicz: An Insider's Journey Through Hollywood by Crane, Robert, Mankiewicz, Tom

Anatole Litvak: The Life and Films by Capua, Michelangelo

Death and the Moving Image: Ideology, Iconography and I by Aaron, Michele

Family Films in Global Cinema: The World Beyond Disney by

Constructing the Coens: From Blood Simple to Inside Llewyn Davis by Redmon, Allen

Latin Hitchcock: How Almodóvar, Amenábar, de la Iglesia, del Toro, and Campanella Became Notorious by Kercher, Dona

Halloween by Leeder, Murray

The Lodger: A Story of the London Fog: A Silent-Photoplay Edition by Lowndes, Marie Belloc, Hitchcock, Alfred

Moving Panels: Translating Comics to Film by Ludwig, Logan

Modern Mythmakers: 35 Interviews with Horror & Science Fiction Writers and Filmmakers by McCarty, Michael

Neil Simon on Screen: Adaptations and Original Scripts for Film and Television by Shelley, Peter

Vergleichende Stilanalyse der Filme "Der Himmel über Berlin" und "City of Angels" by Dollhopf, Joachim

Women's Cinema, World Cinema: Projecting Contemporary Feminisms by White, Patricia

Bas Jan Ader: Death Is Elsewhere by Dumbadze, Alexander

"Der Blaue Engel" und "Lola" im Vergleich. Die Frauenfiguren als Femmes Fatales? by Köhler-Kaeß, Holger

Als Zeichentrickfiguren noch aus Fleisch und Blut waren. Die Slapstickfilme von Chaplin und Keaton by Köhler-Kaeß, Holger

The Noir Western: Darkness on the Range, 1943-1962 by Meuel, David

Rogues, Romance, and Exoticism in French Cinema of the 1930s by Kennedy-Karpat, Colleen

The Art of Smallfilms: The Work of Oliver Postgate & Peter Firmin by

Motion(less) Pictures: The Cinema of Stasis by Remes, Justin

Five Came Back: A Story of Hollywood and the Second World War by Harris, Mark

The Ghostly and the Ghosted in Literature and Film: Spectral Identities by

Approaching Silence: New Perspectives on Shusaku Endo's Classic Novel by

Revolution and Rebellion in Mexican Film by Thornton, Niamh

Vertov, Snow, Farocki: Machine Vision and the Posthuman by Tomas, David

Wag the Dog: A Study on Film and Reality in the Digital Age by Thanouli, Eleftheria

Transnational Australian Cinema: Ethics in the Asian Diasporas by Smaill, Belinda, Yue, Audrey, Khoo, Olivia

The Matter of Vision: Affective Neurobiology & Cinema by Wyeth, Peter

Sex and Film: The Erotic in British, American and World Cinema by Forshaw, B.

Reclaiming Canadian Bodies: Visual Media and Representation by

Us Independent Film After 1989: Possible Films by

Reel Photos: Balancing Art and Truth in Contemporary Film by Sterba, Wendy

Cine de Ciencia Ficción by Perez Agusti, Adolfo

Los mejores cómicos del cine: Desde Charles Chaplin a Woody Allen by Perez Agusti, Adolfo

Die Heldenfigur als Erzählstrategie im populären Spielfilm. Sind Comic-Superhelden mythische Erzählfiguren? by Sitz, Verena

The Three Amigos: The Transnational Filmmaking of Guillermo del Toro, Alejandro González Iñárritu, and Alfonso Cuarón by Shaw, Deborah

Blade Runner by

How Filming Technique Helped Tim Burton to Realize his Vision of "Alice in Wonderland": Green Screen Filming and CGI Technique in the Film by Böckenfeld, Jens

Muriel's Memoirs by Hamlett, Christina

Die Programmstruktur als flow. Wie der Privatsender ProSieben den Rezipienten in der Primetime an sich bindet by Stuhlmann, Tatjana

Cinematicity in Media History by

Bollywood's India: A Public Fantasy by Joshi, Priya

Public Discourses of Contemporary China: The Narration of the Nation in Popular Literatures, Film, and Television by Shen, Y.

Understanding Sound Tracks Through Film Theory by Walker, Elsie

Imagining New York City: Literature, Urbanism, and the Visual Arts, 1890-1940 by Lindner, Christoph

The Lumière Galaxy: Seven Key Words for the Cinema to Come by Casetti, Francesco

Bollywood's India: A Public Fantasy by Joshi, Priya

The Anime Encyclopedia: A Century of Japanese Animation by Clements, Jonathan, McCarthy, Helen

The Lumière Galaxy: Seven Key Words for the Cinema to Come by Casetti, Francesco

Mad as Hell by Itzkoff, Dave

Hibakusha Cinema: Hiroshima, Nagasaki and the Nuclear Image in Japanese Film by

Myth and Masculinity in the Japanese Cinema: Towards a Political Reading of the Tragic Hero by Standish, Isolde

Motion Capture in Performance: An Introduction by Delbridge, M.

Cinema, Gender, and Everyday Space: Comedy, Italian Style by Fullwood, Natalie

The Return of the Epic Film: Genre, Aesthetics and History in the 21st Century by

Cinema, Gender, and Everyday Space: Comedy, Italian Style by Fullwood, Natalie

Men in Action: Maskulinität im Actionmodus des amerikanischen Films der 1980er Jahre by Behn, Beatrice

Myth of the Western: New Perspectives on Hollywood's Frontier Narrative by Carter, Matthew

"Real Humans" und "A.I.". Wie das Fernsehen dem Kino davonläuft: Ein Fallbeispiel by Köhler-Kaeß, Holger

The Moving Picture Girl Gallery: from the John Holmstrom Collection by Sutton, Paul

The Sense of Film Narration by Garwood, Ian

The Operatic and the Everyday in Postwar Italian Film Melodrama by Bayman, Louis

Making Asian American Film and Video: History, Institutions, Movements by Okada, Jun

Fantasia of Color in Early Cinema by Yumibe, Joshua, Fossati, Giovanna, Gunning, Tom

Hitchcock Lost and Found: The Forgotten Films by Kerzoncuf, Alain, Barr, Charles

Recycled Stars: Female Film Stardom in the Age of Television and Video by Desjardins, Mary R.

Making Asian American Film and Video: History, Institutions, Movements by Okada, Jun

High-Class Moving Pictures: Lyman H. Howe and the Forgotten Era of Traveling Exhibition, 1880-1920 by Nelson, Carol, Musser, Charles

Curating Africa in the Age of Film Festivals by Dovey, L.

Rel[am]ent by Crabtree, Jamison

A New History of British Documentary by Chapman, J.

Hollywood Action Films and Spatial Theory by Jones, Nick

Informationslimitation und Leerstellen als realitätsfördernde Stilmittel. Eine Untersuchung am Beispiel des Films "The Blair Witch Project" by Felke, Madita

Ozu International: Essays on the Global Influences of a Japanese Auteur by

Unquiet Dreams: The Bestiary of Walerian Borowczyk by Strong, Simon

Cinema of Simulation: Hyperreal Hollywood in the Long 1990s by Laist, Randy

Icon: THE LIFE, TIMES, AND FILMS OF MARILYN MONROE VOLUME 1 - 1926 TO 1956 (hardback) by Vitacco-Robles, Gary

The Collinsport Historical Society Presents: Taste the Blood of Monster Serial by Chaffin, Jonathan M.

The Holy Grail on Film: Essays on the Cinematic Quest by

Alternative Projections: Experimental Film in Los Angeles, 1945-1980 by

Último Dia Todos os Dias: e outros escritos sobre cinema e filosofia by Martin, Adrian

A Book about the Film Monty Python and the Holy Grail: All the References from African Swallows to Zoot by Larsen, Darl

A History of 1970s Experimental Film: Britain's Decade of Diversity by Gaal-Holmes, P.

Das Fenster in eine andere Welt. Voyeurismus im Film "Eyes Wide Shut" und "Peeping Tom" by Weickardt, Maria

Die dunkle Seite des klassischen Hollywood-Kinos. Der Einfluss deutschsprachiger Emigranten im Film Noir by Weickardt, Maria

Hayao Miyazaki's World Picture by Cavallaro, Dani

The Clint Eastwood Westerns by Neibaur, James L.

Real War vs. Reel War: Veterans, Hollywood, and WWII by Broderick, Suzanne

American Media and the Memory of World War II by Ramsay, Debra

Between Hollywood and Godlywood: The Case of Walden Media by DuPont, Nathalie

Sportswomen in Cinema: Film and the Frailty Myth by Chare, Nicholas

Film and the American Presidency by

3D Cinema: Optical Illusions and Tactile Experiences by Ross, Miriam

The Best 200 Italian Films of All Time: Rated Number One on Amazon.com by Tafero, Arthur H.