• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611

Filmmaking in 2000

The Cinema of Satyajit Ray: Between Tradition and Modernity by Cooper, Darius
Bernardo Bertolucci: Interviews by
The Cinema of Satyajit Ray: Between Tradition and Modernity by Cooper, Darius
The Gaze and the Labyrinth: The Cinema of Liliana Cavani by Marrone, Gaetana
Mike Leigh: Interviews by
Robert Altman: Interviews by
Elia Kazan: Interviews by
Ger Van Elk: The Cadillac and the Nun by
Hollywood 101: The Film Industry by Levy, Frederick
The Art of the Moving Picture by Lindsay, Vachel
Memo from David O. Selznick: The Creation of Gone with the Wind and Other Motion-Picture Classics--As Reveale D in the Producer's Private Letters, by Selznick, David O.
The Making of 2001: A Space Odyssey by
Feminist Discourse and Spanish Cinema: Sight Unseen by Martin-Márquez, Susan
The Films of Fritz Lang: Allegories of Vision and Modernity by Gunning, Tom
Kurosawa: Film Studies and Japanese Cinema by Yoshimoto, Mitsuhiro
Film Production Theory by Geuens, Jean-Pierre
Losing the Light: Terry Gilliam & The Munchausen Saga by Yule, Andrew
Losing the Light: Terry Gilliam and the Munchausen Saga by Yule, Andrew
Film Into Video: A Guide to Merging the Technologies by Cvjetnicanin, George
Jean-Luc Godard's Pierrot Le Fou by
Jean-Luc Godard's Pierrot Le Fou by
The Battle of Brazil: Terry Gilliam v. Universal Pictures in the Fight to the Final Cut by Mathews, Jack
Scare Tactic: The Life & Films of William Castle by Law, John W.
Blood Siblings: The Cinema of Joel Coen and Ethan Coen by
The Films of Martin Scorsese, 1963-77: Authorship and Context by Grist, L.
Multiskilling for Television Production by Ward, Peter, Bermingham, Alan, Wherry, Chris
The Film Director: Updated for Today's Filmmaker, the Classic, Practical Reference to Motion Picture and Television Techniques by Bare, Richard L.
Continuity Supervisor by Rowlands, Avril
Mary Lucier by
Robert Bresson by Reader, Keith
Robert Bresson by Reader, Keith
The Films of Mike Leigh by Quart, Leonard, Carney, Ray
Kubrick's 2001: A Triple Allegory by Wheat, Leonard F.
Kubrick, New and Expanded Edition: Inside a Film Artist's Maze by Nelson, Thomas Allen
Weirdsville U.S.A.: The Obsessive Universe of David Lynch by Woods, Paul A.
The Films of Martin Scorsese, 1963-77: Authorship and Context by Grist, L.
Peter Greenaway: Interviews by
Production Safety for Film, Television and Video by Small, Robin
Jean Renoir by O'Shaughnessy, Martin
What They Don't Teach You at Film School: 161 Strategies for Making Your Own Movies No Matter What by White, Tiara, Landau, Camille
Reconstructing Woody: Art, Love, and Life in the Films of Woody Allen by Nichols, Mary P.
The Hollywood Food Chain: A Comically Real Look at Hollywood Through the Eyes of Production Assistants by Carboni, Tiffany
The Great Art Of Light And Shadow: Archaeology of the Cinema by Mannoni, Laurent
Straight Lick: The Cinema of Oscar Micheaux by Green, J. Ronald
Film Culture Reader by
The Films of Martin Ritt: Fanfare for the Common Man by Miller, Gabriel
Getting Away with It: Or: The Further Adventures of the Luckiest Bastard You Ever Saw by Soderbergh, Steven, Lester, Richard
No Film in My Camera by Gibson, Bill, Lousma, Jack R.
Spectacular Narratives: Hollywood in the Age of the Blockbuster by King, Geoff
Picture Perfect by Strock, Herbert L.
The Modern Fantastic: The Films of David Cronenberg by
The Modern Fantastic: The Films of David Cronenberg by
Order in the Universe: The Films of John Carpenter by Cumbow, Robert C.
Jack Clayton by Sinyard, Neil