• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611

Filmmaking in 2009

The Altering Eye: Contemporary International Cinema by Kolker, Robert Phillip
The Altering Eye: Contemporary International Cinema by Kolker, Robert Phillip
Michael Haneke's Cinema: The Ethic of the Image by Wheatley, Catherine
Direct Your Own Damn Movie! by Tlapoyawa, Kurly, Kaufman, Lloyd, Antill, Sara
Audiovisual Translation: Language Transfer on Screen by
Screening Nostalgia: Populuxe Props and Technicolor Aesthetics in Contemporary American Film by Sprengler, Christine
John Singleton: Interviews by
My First Movie, Take Two: Ten Celebrated Directors TAlk About Their First Film by Lowenstein, Stephen
Alfred Hitchcock's London A Reference Guide to Locations by Giblin, Gary
Caught in the Crossfire: Adrian Scott and the Politics of Americanism in 1940s Hollywood by Langdon, Jennifer
Daniel Calparsoro by Davies, Ann
Catherine Breillat by Keesey, Douglas
Mike Mills: Graphics Films by
Action!: Interviews with Directors from Classical Hollywood to Contemporary Iran by
Movie Speak: How to Talk Like You Belong on a Film Set by Bill, Tony
After Kieslowski: The Legacy of Krzysztof Kieslowski by
Eaten Alive at a Chainsaw Massacre: The Films of Tobe Hooper by Muir, John Kenneth
Production Management for Television by Mitchell, Leslie
Production Management for Television by Mitchell, Leslie
Democratisation, Governance and Regionalism in East and Southeast Asia: A Comparative Study by
Michael Winterbottom by McFarlane, Brian, Williams, Deane
The Guerrilla Guide to Animation: Making Animated Films Outside the Mainstream by Santucci, Walter
Hitchcock Reader 2e by
The Invisible Cut: How Editors Make Movie Magic by O'Steen, Bobbie
Conversations with Robert Evans by Grobel, Lawrence
John Hughes and Eighties Cinema by Christie, Thomas A.
Make Movies That Make Money!: The Low-Budget Filmmaker's Guide to Commercial Success by Cable, Philip R.
Being Hal Ashby: Life of a Hollywood Rebel by Dawson, Nick
Sam Spiegel: The Incredible Life and Times of Hollywood's Most Iconoclastic Producer, the Miracle Worker Who Went from Penniless Re by Fraser-Cavassoni, Natasha
The Reel Truth: Everything You Didn't Know You Need to Know about Making an Independent Film by Martin, Reed
Production Studies: Cultural Studies of Media Industries by
Production Studies: Cultural Studies of Media Industries by
Independent Filmmaking: Secrets of the Craft by Shaw, Scott
The Big Picture: Filmmaking Lessons from a Life on the Set by Reilly, Tom
Structuring Time (Second Edition) by Betancourt, Michael
On Location in Cuba: Street Filmmaking during Times of Transition by Stock, Ann Marie
The Angry Filmmaker Survival Guide: Part One Making the Extreme No Budget Film by Baker, Kelley
¡Bienvenido Mr. Berlanga! by Carlos Cañeque, Maite Grau
iMovie '09 and IDVD: The Missing Manual by Pogue, David, Miller, Aaron
Teaching the Screen: Film education for Generation Next by Anderson, Michael
Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford by
Print the Legend: Politics, Culture, and Civic Virtue in the Films of John Ford by
How to Make Animated Films: Tony White's Masterclass Course on the Traditional Principles of Animation [With DVD ROM] by White, Tony
The Hitchcock Annual Anthology: Selected Essays from Volumes 10â "15 by
Clint Eastwood and Issues of American Masculinity by Cornell, Drucilla
Clint Eastwood and Issues of American Masculinity by Cornell, Drucilla
Jonas Mekas: To Petrarca: A Diary by
Film World: The Directors' Interviews by Ciment, Michel
Action! by
Film World: The Directors' Interviews by Ciment, Michel
Jane Campion: Cinema, Nation, Identity by
Ed Wood, Mad Genius: A Critical Study of the Films by Craig, Rob
Ken Russell: Re-Viewing England's Last Mannerist by
Terry Gilliam by Marks, Peter
Como escribir GUIONES de CINE y TELEVISION by Tauler, Arnoldo
Como escribir GUIONES de CINE y TELEVISION by Tauler, Arnoldo
Michael Haneke's Cinema: The Ethic of the Image by Wheatley, Catherine
Horror Film: Creating and Marketing Fear by
Playing with Memories: Essays on Guy Maddin by
Risky Business: Financing & Distributing Independent Films (Second Edition) by Litwak, Mark
The Ridley Scott Encyclopedia by Raw, Laurence
The Technique of Film Editing by Reisz, Karel
Bring in the Peacocks, or Memoirs of a Hollywood Producer by Moonjean, Hank
Alain Resnais by Wilson, Emma
Modern Nature by Jarman, Derek
Film Editing: Great Cuts Every Filmmaker and Movie Lover Must Know by Chandler, Gael
The Colored Cartoon: Black Presentation in American Animated Short Films, 1907-1954 by Lehman, Christopher P.
The Merchant Prince of Poverty Row: Harry Cohn of Columbia Pictures by Dick, Bernard F.
Women on the Edge: Twelve Political Film Practices by Tay, S.
Latest Magic: Being Original Conjuring Tricks (1918) by Hoffmann, Louis
The Young, the Restless, and the Dead: Interviews with Canadian Filmmakers by
Die Rhetorik der Filmsynchronisation by Pruys, Guido Marc
Irving Thalberg: Boy Wonder to Producer Prince by Vieira, Mark A.
Tim Burton by
Going Hollywood by Becker, Josh
Film Studies: An Introduction by Sikov, Ed
Film Studies: An Introduction by Sikov, Ed
Basics Film-Making 03: Directing Fiction by Edgar, Robert
The Documentary Handbook by Lee-Wright, Peter
The Documentary Handbook by Lee-Wright, Peter
Hollywood Lighting from the Silent Era to Film Noir by Keating, Patrick
The Making of on Her Majesty's Secret Service by Helfenstein, Charles
Frank Films: The Film and Video Work of Robert Frank by
The Focal Easy Guide to Final Cut Pro 7 by Young, Rick