• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611

Filmmaking in 2013

Style in British Television Drama by Cooke, L.
Cinema, Pain and Pleasure: Consent and the Controlled Body by Allen, Steven
The Films of Martin Scorsese, 1978-99: Authorship and Context II by Grist, L.
The British Pop Music Film: The Beatles and Beyond by Glynn, S.
Figurations in Indian Film by Basu, Anustup, Sen, Meheli
Independent Chinese Documentary: From the Studio to the Street by Robinson, L.
Hollywood Before Glamour: Fashion in American Silent Film by Finamore, M. Tolini
Digital Imaging in Popular Cinema by Purse, Lisa
Digital Imaging in Popular Cinema by Purse, Lisa
Killer Images: Documentary Film, Memory, and the Performance of Violence by
Killer Images: Documentary Film, Memory, and the Performance of Violence by
Spike Lee's America by Sterritt, David
In Her Voice: Women Directors Talk Directing by Silverstein, Melissa
Eric Rohmer: Interviews by
Masters of Light: Conversations with Contemporary Cinematographers by Schaefer, Dennis, Salvato, Larry
The This Much Is True - 15 Directors on Documentary Filmmaking: 14 Directors on Documentary Filmmaking by Quinn, James
Writings on Cinema and Life by Petri, Elio
The Films of Martin Scorsese, 1978-99: Authorship and Context II by Grist, L.
Buster Keaton's Silent Shorts: 1920-1923 by Niemi, Terri, Neibaur, James L.
Final Cuts: The Last Films of 50 Great Directors by Segaloff, Nat
Jerzy Skolimowski: The Cinema of a Nonconformist by Mazierska, Ewa
The Casting Handbook: For Film and Theatre Makers by Catliff, Suzy, Granville, Jennifer
Navarro's Silent Film Guide: A Comprehensive Look at American Silent Cinema by Navarro, Dan
The Casting Handbook: For Film and Theatre Makers by Granville, Jennifer, Catliff, Suzy
Designing Sound for Animation by Beauchamp, Robin S.
Woody Allen's Angst: Philosophical Commentaries on His Serious Films by Lee, Sander H.
American Cinematographer Manual Vol. I by
Neil Jordan: Interviews by
The Cinema of Takeshi Kitano: Flowering Blood by Redmond, Sean
The Cinema of Takeshi Kitano: Flowering Blood by Redmond, Sean
John Frankenheimer: Interviews, Essays, and Profiles by
Walerian Borowczyk: The Beast: An Erotic Fairy Tale: Pocket Movie Guide by Robinson, Jeremy Mark
Cinema, Pain and Pleasure: Consent and the Controlled Body by Allen, Steven
Space & Being in Contemporary French CB by Williams, James S.
Satyajit Ray on Cinema by Ray, Satyajit
Satyajit Ray on Cinema by Ray, Satyajit
Michael Mann: Crime Auteur by Rybin, Steven
Another Steven Soderbergh Experience: Authorship and Contemporary Hollywood by Gallagher, Mark
The Film Handbook by de Valk, Mark, Arnold, Sarah
A Companion to Pedro Almodóvar by
A Companion to François Truffaut by
The Cinema of Terry Gilliam: It's a Mad World by
The Cinema of Terry Gilliam: It's a Mad World by
The Politics of Insects: David Cronenberg's Cinema of Confrontation by Wilson, Scott
Sounds of Movies: Interviews with the Creators of Feature Sound Tracks by Pasquariello, Nicholas
Hitchcock's North by Northwest: The Man Who Had Too Much by Stratton, James
Hitchcock's North by Northwest (hardback): The Man Who Had Too Much by Stratton, James
The Philosophy of Ang Lee by
The Cinema of Richard Linklater: Walk, Don't Run by Stone, Rob
Darkest Secrets of Film Directing: How Successful Film Directors Overcome Hidden Traps by Marcoux, Tom
No Budget Film Making: How to Write, Direct, Cast, Shoot, and Distribute Your Feature Film by Kennerly, Tom
The Cinema of Steven Soderbergh: Indie Sex, Corporate Lies, and Digital Videotape by Dewaard, Andrew, Tait, R. Colin
The British Pop Music Film: The Beatles and Beyond by Glynn, S.
Far-Flung Families in Film: The Diasporic Family in Contemporary European Cinema by Berghahn, Daniela
So Far, So Funny: My Life in Show Business by Kanter, Hal
Filmmaking, the Hard Way: A Cynical Case Study of the Making of All God's Creatures by Folan, Josh
Filmmaking, the Hard Way by Folan, Josh
The Cinema of Béla Tarr: The Circle Closes by Kovács, András
The Cinema of Béla Tarr: The Circle Closes by Kovács, András
Emotion and Cognition in the Films of Bernardo Bertolluci by Silvana, Serra
The Kid Stays in the Picture by Evans, Robert
François Truffaut: The Lost Secret by Gillain, Anne
Andrei Tarkovsky: Pocket Guide by Robinson, Jeremy Mark
The Cinema of Aki Kaurismäki: Contrarian Stories by Nestingen, Andrew
Eastwood's Iwo Jima: Critical Engagements with Flags of Our Fathers and Letters from Iwo Jima by
Eastwood's Iwo Jima: Critical Engagements with Flags of Our Fathers and Letters from Iwo Jima by
Dark Energy: Hitchcock's Absolute Camera and the Physics of Cinematic Spacetime by Skerry, Philip J.
Devised and Directed by Mike Leigh by
Dark Energy: Hitchcock's Absolute Camera and the Physics of Cinematic Spacetime by Skerry, Philip J.
The Cinema of Hal Hartley by Manley, Sebastian
Smartest Guy In The Room by Zappia, Marco
Understanding Machinima: Essays on Filmmaking in Virtual Worlds by
Shane Meadows: Critical Essays by
Stanley Kubrick: Adapting the Sublime by Pezzotta, Elisa
Kathryn Bigelow: Interviews by
Master Shots, Volume 3: The Director's Vision: 100 Setups, Scenes and Moves for Your Breakthrough Movie by Kenworthy, Christopher
Roger Corman: Blood-Sucking Vampires, Flesh-Eating Cockroaches, and Driller Killers: 3rd edition by Gray, Beverly
The Education of the Filmmaker in Africa, the Middle East, and the Americas by
The Education of the Filmmaker in Africa, the Middle East, and the Americas by
Filmmaking on a Low Budget-- a Re-e-e-e-eally Low Budget by DeVault, Jim
Vertov, Snow, Farocki: Machine Vision and the Posthuman by Tomas, David
The Cinema of Michael Mann: Vice and Vindication by Rayner, Jonathan
The Charley Chase Talkies: 1929-1940 by Neibaur, James L.
A Wonderful Heart: The Films of William Wyler by Sinyard, Neil
Storytelling Techniques for Digital Filmmakers: Plot Structure, Camera Movement, Lens Selection, and More by Hockrow, Ross
Performing Authorship: Self-Inscription and Corporeality in the Cinema by Sayad, Cecilia
Fritz Lang: The Nature of the Beast by McGilligan, Patrick
6 Degrees of Film: The Future of Film in the Global Village by Johnson, Mary L.
Launder and Gilliat by Babington, Bruce
Boardroom Director: How To Produce Exceptional Corporate Video by Bridgwater, Ted
Hitchcock Annual: Volume 18 by Gottlieb, Sidney
New Kauai Movie Bks by Cook, Chris
The Making of Star Wars: Return of the Jedi by Rinzler, J. W.
Quentin Tarantino: Interviews, Revised and Updated by
The Wes Anderson Collection by Seitz, Matt Zoller
Star Wars Art: Concept (Star Wars Art Series) by
Quentin Tarantino: Interviews by
Style in British Television Drama by Cooke, L.
Politics as Form in Lars Von Trier: A Post-Brechtian Reading by Koutsourakis, Angelos
British Gothic Cinema by Forshaw, B.
British Gothic Cinema by Forshaw, B.
The Frontier: A Magazine of the Northwest, November, 1932 to May, 1933 by Merriam, Harold G.
Contemporary Romanian Cinema: The History of an Unexpected Miracle by Nasta, Dominique
Documentary Filmmaking: A Contemporary Field Guide by Hewitt, John, Vazquez, Gustavo
Richard Attenborough by Dux, Sally
The Crime Films of Anthony Mann by Alvarez, Max
Richard E. Norman and Race Filmmaking by Lupack, Barbara Tepa
Blade Runner: Pocket Guide by Robinson, Jeremy Mark
Hollywood, the Dream Factory: An Anthropologist Looks at the Movie-Makers by Powdermaker, Hortense
Richard E. Norman and Race Filmmaking by Lupack, Barbara Tepa
Directors and Directions: Cinema for the Seventies by Taylor, John Russell
Eisenstein: A Documentary Portrait by Swallow, Norman
The Films of Werner Herzog: Between Mirage and History by
Love in Motion: Erotic Relationships in Film by Due, Reidar
And Action!: Directing Documentaries in the Social Studies Classroom by Swan, Kathy, Hofer, Mark
Joe Dante by
The Film Crew of Hollywood: Profiles of Grips, Cinematographers, Designers, a Gaffer, a Stuntman and a Makeup Artist by Udel, James C.
Cinematic Appeals: The Experience of New Movie Technologies by Rogers, Ariel
Cinematic Appeals: The Experience of New Movie Technologies by Rogers, Ariel
Darkest Secrets of Making a Pitch for Film and Television: How You Can Get a Studio Executive, Producer, Name Actor or Private Investor to Say Yes to by Marcoux, Tom
Performing Authorship: Self-Inscription and Corporeality in the Cinema by Sayad, Cecilia
Blossoms and Blood: Postmodern Media Culture and the Films of Paul Thomas Anderson by Sperb, Jason
John Hughes and Eighties Cinema: Teenage Hopes and American Dreams by Christie, Thomas A.
Hawks on Hawks by McBride, Joseph
Agnes Varda: Interviews by
Film Production: Theory and Practice by Hoover, Stephen
Italian Post-Neorealist Cinema by Barattoni, Luca
Behind the Screen: Inside European Production Cultures by
Confessions of a Casting Director: Help Actors Land Any Role with Secrets from Inside the Audition Room by Rudin, Jen
The Making of The Hitch-Hiker Illustrated by Anderson, Mary Ann