• Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611

Music Recording & Reproduction in 2018

Mein erstes Tonstudio - Spezialausgabe für Schüler ab Klasse 7: Aufnehmen und Mischen leicht erklärt by Johne, Raik
Mein erstes Tonstudio - Sammelband Buch I & II: Theorie und Praxis für den Einstieg ins Aufnehmen und Mischen by Johne, Raik
Audio: The Sound of Our World by Ashbourn, Julian
Critical Approaches to the Production of Music and Sound by
Ableton Live 10 Power!: The Comprehensive Guide by Margulies, Jon
Defining the Discographic Self: Desert Island Discs in Context by
Talking Machines & Records: A Handbook for All Who Use Them. Illustrated With Examples of Different Types of Instruments, With Full Instructions f by Bottone, Selimo Romeo
Audio Production Principles: Practical Studio Applications by Elmosnino, Stephane
Oxford Handbook of Algorithmic Music by
The Beatles Recording Reference Manual: Volume 2: Help! through Revolver (1965-1966) by Hammack, Jerry
The New Soundtrack: Volume 8, Issue 1 by
Dawn of the Daw: The Studio as Musical Instrument by Bell, Adam Patrick
The Music Producer's Survival Guide: Chaos, Creativity, and Career in Independent and Electronic Music by Jackson, Brian M.
The Music Producer's Survival Guide: Chaos, Creativity, and Career in Independent and Electronic Music by Jackson, Brian M.
Vinyl Records and Analog Culture in the Digital Age: Pressing Matters by Winters, Paul E.
How To Tune Your Drum Kit With Musical Precision as a Complete Instrument: The Well-Tempered Drum Kit by Kiapos, George
The Design of Active Crossovers by Self, Douglas
The Bus Compression Framework: The set and forget way to get an INSTANTLY professional sounding mix (Second Edition) by Nyquist, Nathan
Music Preservation and Archiving Today by
Music Preservation and Archiving Today by
MITB Mastering in the box: Concetti e applicazioni per la realizzazione del mastering audio con Wavelab Pro 10 by Massimi, Marco
Técnico Superior de Sonido - Primer Curso by Ruiz, David
Young, Gifted and Black by de Koeningh, Michael
44 Reasons Your Mixes Suck: A Mixing Engineer's Guide by Clarke, Amos P.
Drumfax 2: The 1980s Drum Machine Guide by Graham, Alex
Understanding Audio: Getting the Most Out of Your Project or Professional Recording Studio by Thompson, Daniel M.
Mixing Secrets for the Small Studio by Senior, Mike
Audio Painting: Communicating with Your Listener and Preparing Them for What's Next in Your Song by Weller, Riley
Al Schmitt on the Record: The Magic Behind the Music by Schmitt, Al
The New Soundtrack: Volume 8, Issue 2 by
Between Air and Electricity: Microphones and Loudspeakers as Musical Instruments by Eck, Cathy Van
Mixage Et Mastering Avec FL Studio by Jack, Reunion
Audio Sampling: A Practical Guide by Pritts, Roy, McGuire, Sam
Musikproduktion im Homestudio: Eine Einführung in Komponenten, Funktionen und Aufbau by Klein, Jürgen Alfred
A.I. Performance: The Art of Live Automation: The ultimate 'how to' guide in creating stunning, technical and revolutionary live shows f by Frost, Chris
The Beatles Recording Reference Manual: Volume 3: Sgt. Pepper's Lonely Hearts Club Band through Magical Mystery Tour (late 1966-1967) by Hammack, Jerry
The Essential Guide To Writing And Selling Production Music by Hewitt, Michael
Relentless Pursuit of Tone: Timbre in Popular Music by
Pro Tools All-In-One for Dummies by Strong, Jeff
Musician's Survival Guide to a Killer Record by Mixerman
Theories of the Soundtrack by Buhler, James
The Better Zoom R8 Manual: and how to create custom guitar patches! by Menga, Rich
The Daily Adventures of Mixerman: What Spinal Tap did to heavy metal, Mixerman does to the recording world by Mixerman
Music Production: The Advanced Guide On How to Produce for Music Producers by Swindali, Tommy
Mute Records: Artists, Business, History by
Music Radio: Building Communities, Mediating Genres by
Modern Records, Maverick Methods: Technology and Process in Popular Music Record Production 1978-2000 by Bennett, Samantha