Opera in 2001
Kim Jong Il On The Art of Opera: Talk to Creative Workers in the Field of Art and Literature September 4-6, 1974
by
Il, Kim Jong
The Keys to French Opera in the Nineteenth Century
by
Lacombe, Hervé
Prima Donna: Opera and the Unconscious / Prima Donna: Opéra et inconscient
by
Schneider, Michel
The Magic Flute Vocal Score
by
Mozart, Wolfgang Amadeus
Die Fledermaus Vocal Score
by
Strauss, Johann
Costuming for Opera: Who Wears What and Why
by
Van Witsen, Leo
The Queen's Throat: Opera, Homosexuality, and the Mystery of Desire
by
Koestenbaum, Wayne
The Beggar's Opera
by
Havel, Vaclav
German Opera: From the Beginnings to Wagner
by
John, Warrack, Warrack, John
Opera and Drama in Eighteenth-Century London: The King's Theatre, Garrick and the Business of Performance
by
Woodfield, Ian
Classically Romantic: Classical Form and Meaning in Wagner's Ring
by
Buller, Jeffrey L.
Sprech-Ton-Kunst
by
Kühn, Ulrich
Auditioning in the 21st Century: An Essential Handbook for Those Auditioning and Working in the German-Speaking Theater 'Fest' System
by
Killmeier, William a.
Women Writing Opera: Creativity and Controversy in the Age of the French Revolution
by
Letzter, Jacqueline, Adelson, Robert
Berlioz's Semi-Operas: Roméo Et Juliette and La Damnation de Faust
by
Albright, Daniel
The Pirates of Penzance in Full Score
by
Gilbert, W. S., Sullivan, Sir Arthur
Sing Sorrow: Classics, History, and Heroines in Opera
by
McDonald, Marianne
Stepping Out - The Musical
by
Harris, Richard
Let's Go to the Grand!: 100 Years of Entertainment at London's Grand Theatre
by
Johnston, Sheila M. F.
Opera's Second Death
by
Dolar, Mladen, Zizek, Slavoj