Opera in 2021
An Exploration of Compositional Technique in the Operas of Kaija Saariaho and Christian Jost
by
Kern, Friedrich Heinrich
The Empire at the Opéra
by
Everist, Mark
Curating Opera: Reinventing the Past Through Museums of Opera and Art
by
Mould, Stephen
Bizet's Carmen Uncovered
by
Langham Smith, Richard
La Boheme
by
Giacosa, Giuseppe, Illica, Luigi
Opera as Hypermedium: Meaning-Making, Immediacy, and the Politics of Perception
by
Havelková, Tereza
The Grand Theater of the World: Music, Space, and the Performance of Identity in Early Modern Rome
by
Puccini's La fanciulla del West and American Musical Identity
by
Fenton, Kathryn
Von Musen und Musik: Zu Oper, Libretto und Singspiel
by
Koch, Hans-Albrecht
Vocal Virtuosity: The Origins of the Coloratura Soprano in Nineteenth-Century Opera
by
Parr, Sean M.
The Voice of Judith in 300 Years of Oratorio and Opera
by
Leneman, Helen
Kurt Weill's America
by
Graber, Naomi
Don Giovanni's Reasons: Thoughts on a masterpiece
by
Baker, Felicity, Tessing Schneider, Magnus
Musical Analyses and Musical Exegesis: The Shepherd's Melody in Richard Wagner's Tristan and Isolde
by
Nattiez, Jean-Jacques
Knowing Britten
by
Bedford, Steuart
The Operetta Empire: Music Theater in Early Twentieth-Century Vienna
by
Baranello, Micaela
The Magic of Their Singing
by
Werner, Donald H.
The Consolations of History: Themes of Progress and Potential in Richard Wagner's Gotterdammerung
by
Shapiro, Alexander
Régine Crespin: La vie et le chant d'une femme
by
Pesqué, Jérôme
Il Baritono Verdiano: Un contributo alla sua definizione: caratteristiche, gradazione ed impiego drammaturgico-musicale nelle opere di Giuseppe Verdi
by
D'Urso, Graziano
Le Chant Intime: The Interpretation of French Mélodie
by
Raynaldy, Romain, Le Roux, François
The Musical World of Marie-Antoinette: Opera and Ballet in 18th Century Paris and Versailles
by
James, Barrington
Il Figlio dell'Eterno
by
D'Agostino, Giovanni
Heroic Soul: Learn About Mr. Lanza's History: Mario Lanza Devotee
by
Ludvigson, Deeann
Indeed The Tenor: Know Facts About Mario Lanza: Explore Historic Musical Phenomenon
by
Mielcarek, Emanuel
From Silence: Finding Calm in a Dissonant World
by
Welser-Moest, Franz
Classically Romantic: Classical Form and Meaning in Wagner's Ring
by
Buller, Jeffrey L.
Die Frist ist um: Navigate the Language of 10 German Operas
by
Hendricks, Bernd
Opera Voodoo: Casting for Regional Operatic Productions
by
Rusthoi, Keri
The Definitive Diva: The Life and Career of Maria Callas
by
Digaetani, John Louis
The Wound That Will Never Heal: An Allegorical Interpretation of Richard Wagner's the Ring of the Nibelung
by
Heise, Paul Brian
Opera in Postwar Venice
by
Boyd-Bennett, Harriet
Saint-Saëns and the Stage
by
MacDonald, Hugh
Orpheus in the Academy: Monteverdi's First Opera and the Accademia Degli Invaghiti
by
Schwindt, Joel
Joan Sutherland
by
Braddon, Russell
Joan Sutherland
by
Braddon, Russell
Digital Scenography in Opera in the Twenty-First Century
by
Vincent, Caitlin
Disturbing the Universe: Wagner's Musikdrama
by
Vernon, David
Barrie Kosky on the Contemporary Australian Stage: Affect, Post-Tragedy, Emergency
by
Farrell, Charlotte
Wagnerism: Art and Politics in the Shadow of Music
by
Ross, Alex
Gioachino Rossini's the Barber of Seville
by
Poriss, Hilary
Avidly Reads Opera
by
Kinney, Alison
Avidly Reads Opera
by
Kinney, Alison
Nineteenth-Century Music: The Western Classical Tradition
by
Finson, Jon W.
Understanding the Women of Mozart's Operas
by
Brown-Montesano, Kristi
The Divine Claudia: The Life and Career of Claudia Muzio
by
Marek, Dan H.
A Bit More Like Work, or Life After D'Oyly Carte
by
MacKie, David
The Original Portrayal of Mozart's Don Giovanni
by
Schneider, Magnus Tessing
Maria Callas's Lyric and Coloratura Arias
by
Dellenbaugh, Ginger
Verdis "Nabucco" und das Alte Testament
by
Augustin, Matthias
D'Oyly Carte: The Decline and Fall of an Opera Company
by
Seeley, Paul
Ernani: A tragic opera in four acts
by
Verdi, Giuseppe
The Operatic Archive: American Opera as History
by
Renihan, Colleen
Staging Voice
by
Grover-Friedlander, Michal
Popular Opera in Eighteenth-Century France
by
Charlton, David
The Power of Why 29 Musicians Climbed to Superstar
by
St Germain, Glory
Disinformation in Mass Media: Gluck, Piccinni and the Journal de Paris
by
Jerold, Beverly