Playwriting in 2011

Analyse der deutschen Besucherentwicklung & -struktur im historischen Kontext (1895-2008) by Gareiss, Stefanie

Catherine Breillats "Romance XXX - was wissen Sie über Männer?" - zwischen Pornographie und Feminismus by Schmidt, Greta

Identity, gender and the performative in Christo and Jeanne-Claude's work by Stark, Joachim

Claus Peymann und seine Anfänge am Burgtheater by Schoots, Arabella

The Tempest by Shakespeare, William

Mercy Machine by Komondor, Krista

I'm Afraid That Won't Do by Armato, Sam

16 Tons by Harlan, A. Light

Das Schauspielerporträt im 18. Jahrhundert: Unter besonderer Berücksichtigung des Phänomens David Garrick by Jenko, Sandra

The Importance of Being Earnest by Wilde, Oscar

Playwriting by Johnson, Effiong

Feldpostbriefe - Briefe einer "Heldenmutter" by Wörther, Thomas

Medienereignis "Flashmob". Über die Sichtbarmachung und Evidenz einer virtuellen Gemeinschaft by Junghans, Anja

Michael Buthe - Das Kaleidoskop des Zauberhaften by Sosseh, Marina

Vous êtes ici chez vous: Comédie en trois actes by Taburet, Yvon

The Temperamentals by Marans, Jon

Verschriftlichung und kognitiver Wandel im Mittelalter und in der frühen Neuzeit by Knapp, Christopher

The Collected Plays of Michael P. Riccards by Riccards, Michael P.

Das Tal den Bewässerern - Brechts "Kreidekreis": Stück und Aufführungspraxis by Röder, Levin

I'm Afraid That Won't Do by Armato, Sam

Karl Gutzkows Biographie und "Wally, die Zweiflerin": Eine Annäherung an das "Junge Deutschland" by Jansen, Jan

Salome by Wilde, Oscar

Die zweifelhafte Liebesgeschichte zwischen Hamlet und Ophelia und ihre Auswirkungen auf diverse Hamlet-Verfilmungen by Von Rossek, Stefanie

Politische Stencil Graffiti - Medium des Protests? by Wagner, Benedikt

Reassessing the Theatre of the Absurd: Camus, Beckett, Ionesco, Genet, and Pinter by Bennett, M.

Cocteau: Orphêe by Cocteau, Jean

Coup: a play in one act by Hack, Eric

Rodents Get Along by Hunter, Celestine

Lombard by Druxman, Michael B.

The Brothers Are Here!: Preschool Years by Cudney, Chriss

The performance of the artist Marina Abramovic in the MoMA - Museum of Modern Art, N.Y. as a mirror of zeitgeist by Aull, Felicitas

Tracy by Druxman, Michael B.

The Importance of Being Earnest: A Trivial Comedy for Serious People by Wilde, Oscar

Mi Funeral by Urribarri, Jenny

Flynn: A One-Person Play in Two Acts by Druxman, Michael B.

Gable: A One-Person Play in Two Acts by Druxman, Michael B.

Orson Welles: A One-Person Play in Two Acts by Druxman, Michael B.

Clara Bow: A One-Woman Play in Two Acts by Druxman, Michael B.

Are Doctors Really Inhuman? by Shaw, George Bernard

Confucius: A Drama In Two Acts by Hartmann, Sadakichi

A Good Man Fallen Among Fabians: George Bernard Shaw by Shaw, George Bernard, West, Alick

August Wilson and Black Aesthetics by Shannon, S., Williams, D.

Real Women Have Curves & Other Plays by Lopez, Josefina

The Secret Life of Plays by Waters, Steve

The Best Plays from the Strawberry One-Act Festival: Volume Six by

Hollywood Tragedy: From Fatty Arbuckle To Marilyn Monroe by Carr, William H. a.

The Importance of Being Earnest by Wilde, Oscar

Hitler verkörpern - Die satirische Darstellung eines bereits überzeichneten Körpertextes by Vowinckel, Aurelia

Elfriede Jelineks "Rechnitz (Der Würgeengel)". Intertextualität und Wortspiel als Mittel zur diskursiven Aufdeckung im postdramatischen Botenbericht by Vowinckel, Aurelia

Der Vorwurf des Manierismus in Viscontis Historiendramen: Versuch zur Darstellung des subversiven manieristischen Stils und seinen Elementen in "Il Ga by Vowinckel, Aurelia

Religious Drama 3: An Anthology Of Modern Morality Plays by

«Come Closer»: Critical Perspectives on Theatre of the Oppressed by

Edward Gordon Craig und seine Einstellung zum Beruf des Regisseurs by Hagn, Christiane

Die Suche (nach) der Anna Mahr: Analyse des Dramas "EInsame Menschen" von Gerhart Hauptmann anhand der Figur Fräulein Anna Mahr by Gorski, Amira

"Please Hold The Line" - Technokulturelle Entwicklungslinien der Telefonie: Ein Zwei-Länder-Vergleich by Dobler, Anna

Neue Investitionsmodelle auf dem deutschen Filmmarkt als Alternative zur Filmförderung by Peimann, Ali

The Evil Behind the Law, Volume I: What Love Cannot Do, Prayer Will Do by Mbuna, Tchinda Fabrice

«Come Closer»: Critical Perspectives on Theatre of the Oppressed by

King of Bangor by Gambin, Lee

Shakuntala: English Translation of The Great Sanskrit Poet Mahakavi Kalidas's 'Abhijnan Shakuntalam by Sinha, Ashok

Man and Superman by Shaw, Bernard

Queer Theatre and the Legacy of Cal Yeomans by Schanke, R.

Schauspielertypologien: Rollenklischees im Gegenwartstheater by Krüger, Sinja Marie

, Goldrausch'' und, Der Einwanderer''. Charlie Chaplins Figur des Tramp als ausgegrenzte Instanz der Gesellschaft by Winkler, Stephanie Julia

Vergangenheit und Zukunft: Die Geschichte des Kirch-Konzerns und der Medienmarkt Teleshopping by Weizemann, Tanja

Playwriting for Dummies by Parra, Angelo

The Broken Statue: A Play: Jewel Version by Perry, Bob

The Cat Who Ate Her Husband by McCreadie, Drew

Darstellung und Reflexion kreativer Prozesse anhand psychologischer und theaterpädagogischer Betrachtungsweisen von Menschen mit Behinderung: Am Beisp by Möcking, Evelyn

A New Day and More Tales by Drake, Kerry Susan

The Stukeley Plays: 'The Battle of Alcazar' by George Peele and 'The Famous History of the Life and Death of Captain Thomas Stukeley by

Re-Visioning Myth CB: Modern and Contemporary Drama by Women by Babbage, Frances

Sarah Kane in Context: Essays by

Ten Minutes in Heaven by Ditmars, Ben

"Zum Erholen sind sie da." Arthur Schnitzlers Typus des süßen Mädels in Inszenierungen und Verfilmungen seiner Dramen by Huber-Wendt, Judith

Yesterday, Today and Tomorrow: Nine Plays by Francis Filosa by Filosa, Francis

Analyse des Medien- und Kulturwandels an der Schwelle zur Moderne am Beispiel der Zeitschrift aus systemtheoretischer Sicht by Morár, Oto

Lord Save My Children by Jones, Betty

Urban Drama: The Metropolis in Contemporary North American Plays by Westgate, J. Chris

Sex and the City - eine Sitcom?: Eine Zusammenstellung von definitorischen Kriterien des Genres Sitcom und diesbezügliche Transkription auf die Serie by Von Rossek, Stefanie

Aztecs on Stage: Religious Theater in Colonial Mexico by

Jolson: A One-Person Play in Two Acts by Druxman, Michael B.

Staging Modern American Life: Popular Culture in the Experimental Theatre of Millay, Cummings, and Dos Passos by Fahy, T.

"Die Hamletmaschine" und ihre Zeit: Analyse der Inszenierung des Dramas "Die Hamletmaschine" von Stephan Kimmig hinsichtlich Motiven aus der Entstehun by Binder, Christine

The Importance Of Being Earnest by Wilde, Oscar

Hollywood Tragedy: From Fatty Arbuckle To Marilyn Monroe by Carr, William H. a.

The Tragedy Of Empire by Nearing, Scott

Backdrop to Tragedy: The Struggle for Palestine by Asfour, Edmund, Polk, William Roe, Stamler, David M.

Playwriting Across the Curriculum by Jester, Caroline, Stoneman, Claire

Marina Abramovic und Ulay "Relation Works". Innerhalb des Entwicklungsprozesses der europäischen Performance by Taut, Andreas

Detained in the Desert & Other Plays by Josefina López by López, Josefina

Salomé: A Tragedy in One Act by Wilde, Oscar

Das Theater in der Filmrolle. Wie sich der Film theatrale Mittel zu Nutze macht by Büchner, Bogdan

Extensions of Love by Rapier, Darren

I Know All Save Myself Alone: The Play by Monde, Lisa

Zapping - Werbung als ein Grund für Fernsehzuschauer umzuschalten by Matthes, Markus

Playwriting Across the Curriculum by Jester, Caroline, Stoneman, Claire

Billy the Kid and Other Plays, 10 by Anaya, Rudolfo

New Playwriting Strategies: Language and Media in the 21st Century by Castagno, Paul C.

The Drama of Marriage: Gay Playwrights/Straight Unions from Oscar Wilde to the Present by Clum, J.

Der Gutenberg Buchdruck: Revolutionierung der Wissenstradierung by Hallmann, Thomas

Paul: A Two- Act Drama by Gallo, Anthony E.

The Importance of Being Earnest by Wilde, Oscar

Der filmische Raum der Stadt in Pasolinis ersten beiden Spielfilmen 'Accattone' und 'Mamma Roma' als Ort des menschlichen Schicksals: "Ihr, die ihr ei by Drees, Anne

Discipline: A Play by Bianco, Gerard

Qualitative Exploration and Categorization of the Phenomenon of Active Audience Participation in "The Rocky Horror Picture Show" by Görne, Nora

Who Hears in Shakespeare?: Shakespeare's Auditory World, Stage and Screen by