Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
The Blue Bird - From Eight Part-Songs for Soprano, Alto, Tenor and Bass - Set to Music for Cello or Chorus in Two Parts: E Minor and B Minor - Op.119,

The Blue Bird - From Eight Part-Songs for Soprano, Alto, Tenor and Bass - Set to Music for Cello or Chorus in Two Parts: E Minor and B Minor - Op.119,

Stanford, Charles Villiers

Paperback

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ISBN10: 1528707214
ISBN13: 9781528707213
Publisher: Fb&C Ltd
Published: Dec 14 2018
Pages: 18
Weight: 0.16
Height: 0.04 Width: 8.50 Depth: 11.00
Language: English
This volume contains the complete sheet music for Charles V. Stanford's The Blue Bird, Op.119, No. 3, a classical music composition for cello or chorus in two parts: E minor and B minor. Originally part of his 8 Part-Songs, Op.119, is it a Romantic piece first published in 1910. Presented here in its original form with wide margins for annotations, this composition is perfect for students and musicians with a love of classical music. Sir Charles Villiers Stanford (1852 - 1924) was an Irish composer, conductor, and teacher of music. He was educated at the University of Cambridge and continued his studies in Berlin and Leipzig. He was a very influential composer, responsible for making Cambridge University Musical Society an internationally-acclaimed organisation. Stanford was also a profuse composer, producing a large corpus of work in many genres; however, he is perhaps best remembered for his Anglican choral works for church performance. His music eventually became overshadowed by that of Edward Elgar and a number of his former pupils in the in the 20th century. Many vintage books such as this are becoming increasingly scarce and expensive. We are republishing this volume now in a modern, high-quality edition complete with a specially commissioned new introduction on the history of musical notation.

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