Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Drama and the Death of God: Secularity on Stage from Antiquity to Shakespeare

Drama and the Death of God: Secularity on Stage from Antiquity to Shakespeare

Parker, John

Paperback

Literary CriticismGeneral ChristianityTheater History

ISBN10: 150178529X
ISBN13: 9781501785290
Publisher: Cornell University Press
Published: Jan 15 2026
Pages: 312
Weight: 0.93
Height: 0.70 Width: 6.00 Depth: 9.00
Language: English

In Drama and the Death of God, John Parker argues that the secularity often associated with Shakespeare inspired a variety of performances going back to antiquity. Scripture presupposes, even needs, the existence of a worldly sphere inimical to faith: known as the saeculum, this finite domain of appetite and unbelief invited both condemnation and celebration throughout medieval Christendom, as exemplified by the songs and plays of the Carmina Burana. After the tenth century, Christians routinely impersonated unbelievers in music dramas connected to the high holidays so that they might question biblical truths, especially the authenticity of miracles. The church generated by this means a vision of the godless world that modernity stepped into. After the English Reformation, when Europe's first commercial theaters arose on ruined monastic estates, players continued to showcase how divine intervention could be staged by humans in the absence of God. King Lear in particular explores the ancient proposition that the saeculum holds no inherent meaning and is capable of generating only pseudomiraculous spectacles to salve the ache of existence.

1 different editions

Also available

Also from

Parker, John

View All

Also in

Literary Criticism

View All