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Jinny Yu: At Once À La Fois
Hardcover
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ISBN13: 9781773104270
Publisher: Goose Lane Editions
Published: Sep 17 2024
Pages: 120
Weight: 1.94
Height: 0.60 Width: 10.10 Depth: 10.10
Language: English
[I] reject[ed] the idea that painting is autonomous, contained only within its four corners. I realized that painting has to interact with, and is always affected by, the space it is in. -- Jinny Yu
JINNY YU: AT ONCE surveys artist Jinny Yu's last decade of production, from her exhibition at the Venice Biennale Don't They Ever Stop Migrating? to Inextricably Ours, her recent kaleidoscopically abstract paintings. Using methods as diverse as abstract painting and large-scale installation, Yu's art ponders the implications of mass migration and rapid social change in contemporary society. In Perpetual Guest, Yu interrogates her status as a settler-immigrant; in Hô te, she navigates the relationship between guest and host through a series of black-and-white abstract drawings that resemble thresholds; in Inextricably Ours, Yu breaks from her previous work, using vivid colours, transparency, and distorted forms to continue to question what it means to be a guest and a host.
Jinny Yu's work explores the role of painting as a means of trying to understand the world around us. Born in Seoul, Yu now lives and works in Ottawa on the traditional unceded territory of the Anishinaabe Algonquin Nation, and in Berlin. Yu's work has been shown widely in exhibitions in Canada, Germany, Italy, Japan, Portugal, South Korea, the UK, and the US. Her exhibition, Don't They Ever Stop Migrating?, was presented at the 56th Venice Biennale.
J'ai rejeté l'idé e que la peinture est autonome, c' est à dire qu' elle soit contenue uniquement dans ses quatre coins. J'ai ré alisé que la peinture doit interagir avec et est toujours influencé e par l'espace dans lequel elle se trouve. -- Jinny Yu
JINNY YU: à LA FOIS explore la derniè re dé cennie de la production de l'artiste Jinny Yu, depuis son exposition à la Biennale de Venise intitulé e Don't They Ever Stop Migrating? jusqu' à Inextricably Ours, ses ré centes peintures kalé idoscopiques abstraites. Utilisant des mé thodes aussi diverses que la peinture abstraite et l'installation à grande é chelle, l'art de Yu ré flé chit aux implications de la migration de masse et aux changements sociaux rapides dans la socié té contemporaine. Dans Perpetual Guest, Yu interroge son statut en tant que colon-immigrant; dans Hô te, elle explore la relation entre l'invité (guest) et l'hô te (host) à travers une sé rie de dessins abstraits en noir et blanc é voquant des seuils; dans Inextricably Ours, Yu rompt avec son oe uvre pré cé dente en utilisant des couleurs vives, la transparence et des formes distordues pour poursuivre son questionnement sur le sens des notions d'invité et d'hô te.
Le travail de Jinny Yu é mane d'une interrogation sur le mé dium de la peinture comme moyen de comprendre le monde qui nous entoure. Né e à Sé oul, Yu vit et travaille maintenant à Ottawa, sur le territoire traditionnel non cé dé de la Nation Anishinabe Algonquine, et à Berlin. Les oe uvres de Yu ont é té largement exposé es au Canada, en Allemagne, en Italie, au Japon, au Portugal, en Coré e du Sud, au Royaume-Uni et aux é tats-Unis. Son exposition, Don't They Ever Stop Migrating?, a é té pré senté e à la 56e Biennale de Venise.
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