Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
612-822-4611

  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
The Girl on the Film: The 1913 Musical Play: Complete Book and Lyrics (Historical Libretto Series)

The Girl on the Film: The 1913 Musical Play: Complete Book and Lyrics (Historical Libretto Series)

Ross, Adrian
Tanner, James T.

Paperback

Plays

ISBN13: 9798300030148
Publisher: Independently Published
Published: Nov 15 2024
Pages: 80
Weight: 0.26
Height: 0.17 Width: 6.00 Depth: 9.00
Language: English
A notable example of early 20th-century musical theatre, The Girl on the Film blends elements of comedy, romance, and the burgeoning fascination with the film industry. The musical captures a moment in time when the world of cinema was rapidly becoming a cultural force.

The plot centers around a young typist who works in a film studio. Her life takes a dramatic turn when she is mistaken for a famous actress, leading to a series of humorous misunderstandings and romantic entanglements. The story unfolds against the backdrop of the film industry, reflecting the era's excitement and curiosity about the new medium of motion pictures.

The Girl on the Film was an international success, opening in London at the Gaiety Theatre in 1913, before making its way to Broadway. The play's appeal lay in its lighthearted treatment of mistaken identity and its playful satire of the film industry, a subject that was still relatively novel to audiences at the time. The characters' interactions and the witty dialogue, combined with catchy musical numbers, made the production a hit.

James T. Tanner was a prolific writer and director known for his work on musical comedies, while Adrian Ross was a well-established lyricist who had contributed to many successful productions. The involvement of multiple composers in creating the score added a richness to the musical's sound, with influences from both continental European and British traditions.

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