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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Heinrich Schenker's Conception of Harmony

Heinrich Schenker's Conception of Harmony

Wason, Robert W.
Brown, Matthew

Hardcover

Series: Eastman Studies in Music, Book 163

GospelMusic ReferenceMusic Theory

ISBN10: 1580465757
ISBN13: 9781580465755
Publisher: University of Rochester Press
Published: Jun 20 2020
Pages: 522
Weight: 1.90
Height: 1.13 Width: 6.00 Depth: 9.00
Language: English

What makes the compositions of Handel, Bach, Haydn, Mozart, Beethoven, Schubert, Schumann, Chopin, and Brahms stand out as great works of art? Heinrich Schenker (1868-1935) set out to answer this question in a series of treatises, beginning with a strikingly original work with the deceptive title Harmonielehre (roughly: Treatise on Harmony, 1906).

Whereas other treatises of the period associated harmony with the abstract principles governing chords and chord progressions, Schenker's treated it as the conceptual glue that allowed the individual elements of a work (melodies, motives, chords, counterpoint, etc.) to work together locally and globally. Yet this book, though renowned and much cited, has never been studied systematically and in close detail.

Heinrich Schenker's Conception of Harmony approaches Schenker's 1906 treatise as a synthesis of ancient ideas and very new ones. It also describes his later views of harmony and the ways in which they influenced, and also were ignored by, the 1954 abridged edition and translation, entitled simply Harmony. Though problematic, Harmony was the first published translation of a major work by Schenker, inaugurating the study of his works in post-war America and Britain, where they continue to be highly influential.

Robert Wason is Professor Emeritus of Music Theory and Affiliate Faculty in Jazz and Contemporary Media at the Eastman School of Music.

Matthew Brown is Professor of Music Theory at the Eastman School of Music.

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