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The History of Samuel Titmarsh and the Great Hoggarty Diamond
Paperback
Publisher: Bibliotech Press
Published: Feb 13 2025
Pages: 136
Weight: 0.38
Height: 0.34 Width: 6.00 Depth: 9.00
Language: English
Loved this-pretty typical Victorian story (is this suddenly rich financier all he seems ) but very funny and sweet written with a clarity and directness unusual for the period. Also very short if you're looking to try Thackeray out, though it's very early Thackeray and lacks a lot of what is unique about his mature work. (Dan)
About the author
William Makepeace Thackeray (18 July 1811 - 24 December 1863) was an English novelist and illustrator. He is known for his satirical works, particularly his 1847-1848 novel Vanity Fair, a panoramic portrait of British society, and the 1844 novel The Luck of Barry Lyndon, which was adapted for a 1975 film by Stanley Kubrick.
Thackeray was born in Calcutta, British India, and was sent to England after his father's death in 1815. He studied at various schools and briefly attended Trinity College, Cambridge, before leaving to travel Europe. Thackeray squandered much of his inheritance on gambling and unsuccessful newspapers. He turned to journalism to support his family, primarily working for Fraser's Magazine, The Times, and Punch. His wife Isabella suffered from mental illness. Thackeray gained fame with his novel Vanity Fair and produced several other notable works. He unsuccessfully ran for Parliament in 1857 and edited the Cornhill Magazine in 1860. Thackeray's health declined due to excessive eating, drinking, and lack of exercise. He died from a stroke at the age of fifty-two.
Thackeray began as a satirist and parodist, gaining popularity through works that showcased his fondness for roguish characters. Thackeray's early works were marked by savage attacks on high society, military prowess, marriage, and hypocrisy, often written under various pseudonyms. His writing career began with satirical sketches like The Yellowplush Papers. Thackeray's later novels, such as Pendennis and The Newcomes, reflected a mellowing in his tone, focusing on the coming of age of characters and critical portrayals of society. During the Victorian era, Thackeray was ranked second to Charles Dickens but is now primarily known for Vanity Fair.
During the Victorian era Thackeray was ranked second only to Charles Dickens, but he is now much less widely read and is known almost exclusively for Vanity Fair, which has become a fixture in university courses, and has been repeatedly adapted for the cinema and television.
In Thackeray's own day some commentators, such as Anthony Trollope, ranked his History of Henry Esmond as his greatest work, perhaps because it expressed Victorian values of duty and earnestness, as did some of his other later novels. It is perhaps for this reason that they have not survived as well as Vanity Fair, which satirises those values.
Thackeray saw himself as writing in the realistic tradition, and distinguished his work from the exaggerations and sentimentality of Dickens. Some later commentators have accepted this self-evaluation and seen him as a realist, but others note his inclination to use eighteenth-century narrative techniques, such as digressions and direct addresses to the reader, and argue that through them he frequently disrupts the illusion of reality. The school of Henry James, with its emphasis on maintaining that illusion, marked a break with Thackeray's techniques. (wikipedia.org)
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William Makepeace Thackeray - Four Georges: "The world is a looking glass and gives back to every man the reflection of his own face."
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William Makepeace Thackeray - The English Humourists: "A good laugh is sunshine in the house."
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William Makepeace Thackeray - Henry Esmond: "Mother is the name for God in the lips and hearts of little children."
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William Makepeace Thackeray - The Newcomes: "Good humor is one of the best articles of dress one can wear in society."
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William Makepeace Thackeray - Vanity Fair: "It is best to love wisely, no doubt: but to love foolishly is better than not to be able to love at all."
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William Makepeace Thackeray - The Fitz-Boodle Papers: "There are thousands of thoughts lying within a man that he does not know till he takes up the p
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William Makepeace Thackeray - The History of Samuel Titmarsh and the Great Hogg: "Next to excellence is the appreciation of it."
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William Makepeace Thackeray - The Fatal Boots: "Never lose a chance of saying a kind word."
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William Makepeace Thackeray - The Second Funeral of Napoleon: "If a man's character is to be abused, say what you will, there's nobody like a relative
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William Makepeace Thackeray - The Tremendous Adventures of Major Gahagan: I would rather make my name then inherit it. ?
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William Makepeace Thackeray - The Book of Snobs: "It is better to love wisely, no doubt: but to love foolishly is better than not to be able to love a
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William Makepeace Thackeray - Men's Wives: "...the greatest tyrants over women are women."
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William Makepeace Thackeray - The Virginians: "it is the ordinary lot of people to have no friends if they themselves care for nobody"
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William Makepeace Thackeray - Barry Lyndon: "The two most engaging powers of a good author are to make new things familiar and familiar things new."
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William Makepeace Thackeray - George Cruikshank: "If a man has committed wrong in life, I don't know any moralist more anxious to point his errors out
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William Makepeace Thackeray - The History of Pendennis: Volume 1: His Fortunes and Misfortunes, His Friends and His Greatest Enemy
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William Makepeace Thackeray - The History of Pendennis: Volume 2: His Fortunes and Misfortunes, His Friends and His Greatest Enemy
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William Makepeace Thackeray - Catherine: "Money has only a different value in the eyes of each."
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William Makepeace Thackeray - Memoirs of Mr Charles J Yellowplush: "Long brooding over those lost pleasures exaggerates their charm and sweetness."
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