Journal of the Fantastic in the Arts (2023 Volume 34 Number 3)

CONTENTS

Creative Think Piece: A Grace-ful Testimony

Jason Oby

Toward a Broader Definition of the Unrealistic: Louise Erdrich's Future Home of the Living God and Ernesto Qui?onez's Ta?na

M?nica G. Ayuso

Communication Breakdown: Failed Embodied Individuation and Computer Mediated Communication in Samanta Schweblin's Kentukis [Little Eyes]

Anthony L?pez Get

Benevolent Conspiracy: Biopolitics and Paranoia in Shane Carruth's Upstream Color

Steffen Hantke

Filmic Transpositions of Comic Books: Theorising the Relationship Between the Languages of Cinema and Comics

Yuri Garcia

Grotesque Bodies and Grotesque Power in Djinn City and Clone

Sayujya Sankar

Jinetes de la tormenta: The Invasive Influence of Gender Constructs on the Journey Towards Selfhood and Societal Progress

Marissa Luquette

The Queer Temporality of Gail Carriger's Parasol Protectorate

Willow M. Conley and Natalie Grinnell

I'm No Mollycoddle A Reinterpretation of Lovecraft's Pickman's Model

Dylan Henderson

The Hell that You Create: Hellbound: Hellraiser II and the Limits of the Symbolic Order

Barbara Greene

Elliptical Structures and Fantastic Times: Coltrane's My Favorite Things and Garc?a M?rquez's One Hundred Years of Solitude

Geoff Guevara-Geer

Genre Infrastructure as Speculative Method in Latin America

Patrick Anthony Barbosa Brock

Gender and Old Age as Sources of Empowerment: Tenar's Case in Ursula K. Le Guin's Earthsea Saga

Jon Alkorta

REVIEWS

Taryne Jade Taylor, Isiah Lavender III, Grace L. Dillon, and Bodhisattva Chattopadhyay's The Routledge Handbook of CoFuturisms

Rev. by Alexis Brooks de Vita

Yamile Saied M?ndez and Amparo Ortiz's Our Shadows Have Claws: Latin American Monster Stories

Rev. by Jacob Hibbard

John Plotz's Ursula Le Guin's Earthsea

Rev. by Federico Palmieri di Pietro