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Land of the Lilac Fairies: Wooden Churches
Paperback
Publisher: Independently Published
Published: May 16 2020
Pages: 58
Weight: 0.27
Height: 0.15 Width: 5.98 Depth: 9.02
Language: English
Why Lilac Fairies? Lioară (lilioară) is a spring tradition, with prenuptial function, practiced in Bihor county. It is a dancing party with single boys and girls, having as central moment a dance with a song performed by the girls while the boys choose their dance partners. This choice may be equivalent to a marriage proposal.
Sometimes, we feel like we have to get to a certain place no matter the cost. We don't know exactly why, but we do our best to get there. I had this kind of feeling a few years ago about Oradea, Bihor County. This is where I met Mrs. Witta Larcher zu Ei eg from Germany. Following a discussion with her about Romania seen by foreigners, I felt that I could do something to brighten the image of our country.
From my interactions with people in other countries I learned that Romania is the country that beheaded its president, the country where there is no soap and where the inhabitants rarely use warm water to wash themselves. I was asked in France if my parents lived on mushrooms and berries harvest. The same person who asked me this question was excited at coming to Romania to take a trip to the previous century.
Anecdote or not, someone told me that inside a railway station in a European Union country, passengers could read the request, Dear Romanians, please, do not steal! My son is playing a multiplayer online game with participants from several countries. When he introduces himself and he mentions his country, the reaction is oftentimes, Ah, Gypsy! These are just a few examples of humiliating stereotypes associated with us, Romanians.
What I decided to do seemed easy initially, but it's not. I did start a trip back in time in the Romanian village. As the idea sparkled in Bihor, I chose to start with this county. Based on a plan devised by the professor and ethnographer Crăciun Parască I began this project whose final I cannot anticipate. That's why I arrived at the conclusion to publish the material in more volumes, one at a time. The first part is dedicated to the wooden churches in Bihor to underline the ancestral connection of the Romanians with the divine.
I thank Auntie Mia Lăpuşan for accommodation and to Dan Bârhoată, who loves and keeps Romanian folklore, having graduated a master's degree in the area of intangible cultural heritage, for advice that I have taken into account. I thank my parents who met in Oradea, and they certainly sent me something from the energy of the place, and not least to my family, husband, son, and my in-laws who support me in conducting this project.
Adriana Crăciun
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