Fantasma Material (N. 1, 2024): Revista Anual de Cine
Paperback
ISBN13: 9781961722316
Publisher: Rialta Ediciones
Published: Oct 10 2024
Pages: 204
Weight: 1.10
Height: 0.53 Width: 7.00 Depth: 10.00
Language: Spanish
La revista Fantasma Material nace asediando a un espectro: el de un cine no localizado, que busca su soberanÃa expresiva fuera de coordenadas formales y de producción fijas, que inventa su forma bajo el empuje del deseo de existir como celebración de la imaginación humana. Un cine que se manifiesta como fenómeno transnacional, en general fuera de los circuitos comerciales y de legitimidad del cine de autor de vitrina. Estas pelÃculas, para las que no hay aún una definición o etiqueta, podrÃan calificarse como la lengua franca de un cine imperfecto contemporáneo, al que no le interesa tanto la calidad como explorar el horizonte de posibilidades que cabe a una forma de arte termita, lo más libre posible de predeterminaciones. Por ello le sobran los purismos a la hora de decir: le valen tanto los resortes del cine de género como la aproximación documental, el uso del archivo como los delirios de la imaginación, los instrumentos del realismo como de lo irracional. Su búsqueda de la libertad lo enfrenta a los fascismos del presente, de ahà que exista bajo persecución, censura, invisibilización. Depende de frágiles redes de solidaridad e intercambio, de la reinvención constante del sentido de lo polÃtico, y por eso es una forma de arte en peligro.
Para tratar de apresar ese espectro, esta primera entrega de nuestra revista comienza en el lugar que conocemos mejor y desde donde hablamos: el cine cubano, que en los pasados veinte años se transformó en un ejercicio de deconstrucción de la condición totalitaria, de despertar del hechizo de un arte estatal-popular para convertirse en una creación libre. El espectro de Nicolás Guillén Landrián, un autor del pasado inspirador de las rebeliones del presente, recibe una atención especial en cuatro textos sustanciales para comprender su legado. También proponemos definir, en la voz de cineastas y crÃticos cubanos, qué es hoy el cine de esa Ãnsula, un territorio a la deriva que busca reimaginarse, más allá de los repertorios oficiales y de los relatos aprobados, a través de las imágenes. Un modelo de cómo serÃa un cine cubano expandido es el proyecto colectivo coordinado por el cineasta Rafael RamÃrez aquà reproducido, obsesionado con las extensiones del pasado en el presente, pero también con lo que todavÃa no es, aunque podrÃa ser.
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