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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Mangrove palms do not grow in the sand of Copacabana

Mangrove palms do not grow in the sand of Copacabana

Amaral de Paiva, Carlos Eduardo

Paperback

General Music

ISBN10: 6209123694
ISBN13: 9786209123696
Publisher: Our Knowledge Publishing
Published: Oct 14 2025
Pages: 124
Weight: 0.39
Height: 0.29 Width: 6.00 Depth: 9.00
Language: English
This work studies the musical production of the samba musicians who were part of the group known as 'pessoal do Estácio' (the Estácio people), creators of Deixa Falar, considered the first samba school in Rio de Janeiro, founded in 1928, and responsible for the rhythmic and thematic modification of samba in the late 1920s. Using the idea of the formation of a 'popular public sphere, ' we aim to demonstrate how these transformations, fundamental to the demarcation of samba as an urban musical genre, were intrinsically linked to the forms of organisation and sociability of the non-bourgeois classes of republican Brazil. Thus, the analysis of the formation of samba as a musical genre involves an interpretation of the meaning of various practices within this public sphere, such as forms of religiosity, the process of professionalisation and gender relations, which point to a worldview of the popular classes that diverges from that of the dominant classes.

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