Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Master of the Two Left Feet: Morris Hirshfield Rediscovered

Master of the Two Left Feet: Morris Hirshfield Rediscovered

Meyer, Richard

Hardcover

Art HistoryFolk & Outsider ArtIndividual Artists

Currently unavailable to order

ISBN10: 0262047284
ISBN13: 9780262047289
Publisher: MIT Press
Published: Sep 13 2022
Pages: 320
Weight: 4.70
Height: 1.26 Width: 9.06 Depth: 13.23
Language: English
An account of the life and work of a once-famous self-taught American artist of the 1940s, and a study of how artists go missing from public memory.

The exhibition Morris Hirshfield Rediscovered at the American Folk Art Museum in New York City, curated by the author and developed as an extension of the book, is on view from September 22, 2022 to January 27, 2023.

A garment worker and slipper manufacturer with no training in art, Morris Hirshfield was never expected to make history. Against all odds, his wildly stylized paintings of female figures, often nude, animals, and landscapes became internationally known in the 1940s. Admired by Pablo Picasso, Piet Mondrian, and the French surrealists, his peak moment of visibility occurred in 1943, when the Museum of Modern Art mounted a one-man show of his work. The exhibition was widely reviewed--though mostly reviled--by the press, who jeeringly crowned Hirshfield Master of the Two Left Feet for his tendency to display the female body in that unorthodox fashion.

After the artist's death in 1946, his work was largely forgotten, but in Master of the Two Left Feet, art historian Richard Meyer rediscovers Hirshfield for twenty-first-century audiences, offering full-color reproductions that capture the vibrant imagination and sheer visual pleasure of Hirshfield's paintings. The book also features a catalog of works compiled by curator Susan Davidson which provides the most comprehensive documentation of the artist's work ever assembled.

Ten years in the making, Master of the Two Left Feet presents Hirshfield's unlikely career as a painter not only as a missing episode in the history of twentieth-century art but as a case study of the ways in which artists go missing from historical knowledge and public memory. By looking closely at Hirshfield and his milieu in 1940s Brooklyn, Meyer demonstrates how much we have yet to learn, and to see, of the visual past.

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