Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Romanesque and the Year 1000

Romanesque and the Year 1000

Lutz, Gerhard
McNeill, John
Plant, Richard

Hardcover

Series: The British Archaeological Association Romanesque Transactions

ArchaeologyArchitecture History

Currently unavailable to order

ISBN10: 1032945710
ISBN13: 9781032945712
Publisher: Routledge
Published: Mar 31 2025
Pages: 348
Language: English

Romanesque and the Year 1000 examines the art and architecture of the Latin West between c. 970 and c. 1030, a period which witnessed crucial developments in iconography and stylistic expression across a wide range of media.

Despite the complex political situation in late 10th-century Europe - a period marked by chaos in some areas and the effective exercise of authority in others - the last quarter of the century saw an apparent upsurge in artistic production in the Empire, southern Britain, Lombardy, the Alps, and the Mediterranean, albeit one whose survival rate is low. The decades after the millennium have left a larger residue of work, notably in France, Catalonia and northern Italy, but were the 1020s artistically more dynamic than the 980s? How might we describe the cultural climate of the Latin West between c. 970 and c. 1030? Individual chapters examine the influence of Carolingian art on artistic production around 1000; the emergence of new approaches to architecture in France, Germany, England and northern Italy; and the response of artists to perceived order and disorder at the turn of the millennium. There are studies of architectural sculpture in Catalonia and Castile, new town foundation in Saxony, and monastic architecture in southern Britain, together with examinations of Ottonian sarcophagi, book covers in gold and ivory, the wall-paintings at Reichenau, the patronage of Willigis at Mainz and Robert the Pious in northern France, the early Romanesque of Poland and Hungary, and the reflection of a new type of affective piety in the manuscript illumination of late Anglo-Saxon England.

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