Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
The Royal Academy Of Arts; A Complete Dictionary Of Contributors And Their Work From Its Foundation In 1769 To 1904 (Volume Iii) Eadie To Harraden

The Royal Academy Of Arts; A Complete Dictionary Of Contributors And Their Work From Its Foundation In 1769 To 1904 (Volume Iii) Eadie To Harraden

Graves, Algernon

Paperback

Dictionaries & EncyclopediasDrawing InstructionGeneral World History

ISBN10: 9354300634
ISBN13: 9789354300639
Publisher: Alpha Edition
Published: Dec 2 2020
Pages: 402
Weight: 2.04
Height: 0.82 Width: 8.50 Depth: 11.00
Language: English
An indispensable map of the Royal Academy's exhibiting life and the artists who made it. Essential for collectors and researchers. Volume III of Algernon Graves's Complete Dictionary (Eadie to Harraden) assembles the factual record that underpins London art history and Victorian era art scholarship. Clear, exact and deceptively readable, this British art reference functions as an artist dictionary collection and a historical art catalog: a single place to consult art exhibition records, names and work-attributions for nineteenth century artists. Graves's methodical entries make tracing royal academy contributors straightforward; the register operates equally as a museum research tool and a companion for casual browsing. Whether checking provenance, constructing a bibliography, or following an artistic thread across decades, readers gain precise documentary footing. Out of print for decades and now republished by Alpha Editions. Restored for today's and future generations. More than a reprint - a collector's item and a cultural treasure. As part of the Graves art compendium, this volume serves as an authoritative art historians resource and a complete artists directory for curators, dealers and private collections. Its historical significance is plain: a primary reference that sustained generations of scholarship on nineteenth century artists and the rhythms of exhibition life. Cataloguers and curators rely on Graves for cross-references to exhibitions and works, making it a dependable museum research tool when corroborating dates, attributions and provenance. Newcomers to london art history find here a lucid introduction to the networks of taste and patronage that shaped Victorian era art. Casual readers discover episodic surprises amid the entries; classic literature collectors and reference libraries value its steady scholarship and the clarity of Graves's indexing. Whether consulted for curatorial essays, auction research or private curiosity, the volume rewards precise enquiry and patient reading, and sits comfortably beside other canonical references. For those assembling reference shelves or starting a research project in london art history, Graves remains an essential touchstone.

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