Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Visiones de Estereoscopio: Paradigma de Hibridación En La Ficción Y El Arte de la Vanguardia Española

Visiones de Estereoscopio: Paradigma de Hibridación En La Ficción Y El Arte de la Vanguardia Española

Fernández Utrera, María Soledad

Paperback

Series: North Carolina Studies in the Romance Languages and Literatu, Book 272

Literary CriticismEuropean Art

ISBN10: 0807892769
ISBN13: 9780807892763
Publisher: Unc Department of Romance Studies
Published: Jan 21 2002
Pages: 240
Weight: 0.98
Height: 0.77 Width: 6.04 Depth: 9.12
Language: Spanish
This book, written in Spanish, focuses on the literary and artistic works of such avant-garde figures as Ramón Gómez de la Serna, Benjamín Jarnés, Antonio de Obregón, Juan Chabás, Rosa Chacel, Claudio de la Torre, Almada Negreiros, Maruja Mallo, Mauricio Amster, Manuel Reinoso, Diego Rivera, and Ángeles Santos y Victorio Macho. It identifies the attempt to integrate conflicting epistemological, ethical, and sociopolitical categories as the organizational principle driving the avant-garde novel and art. Seen as a means of escaping the Cartesian dualism of mind and matter, the conflict between ethical institutionism and utilitarianism, and the opposition of liberalism by socialism, this middle path manifests itself in the avant-garde on various levels: the theory of representation, the development of the protagonist, and the concept of history.

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Literary Criticism

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