Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Walt Whitman's Leaves of Grass

Walt Whitman's Leaves of Grass

Whitman, Walt
Reynolds, David S.

Hardcover

Literary Criticism

Publisher Price: $39.99

ISBN10: 0195183428
ISBN13: 9780195183429
Publisher: Oxford University Press
Published: Apr 15 2005
Pages: 167
Weight: 0.95
Height: 0.75 Width: 6.42 Depth: 9.52
Language: English
As featured in AMC's Breaking Bad, given by Gale Boetticher to Walter White and discovered by Hank Schrader.

I celebrate myself,
And what I assume you shall assume,
For every atom belonging to me as good belongs to you.

I loafe and invite my soul,
I lean and loafe at my ease....observing a spear of summer grass.

So begins Leaves of Grass, the first great American poem and indeed, to this day, the greatest and most essentially American poem in all our national literature.

The publication of Leaves of Grass in July 1855 was a landmark event in literary history. Ralph Waldo Emerson judged the book the most extraordinary piece of wit and wisdom America has yet contributed. Nothing like the volume had ever appeared before. Everything about it--the unusual jacket and title page, the exuberant preface, the twelve free-flowing, untitled poems embracing every realm of experience--was new. The 1855 edition broke new ground in its relaxed style, which prefigured free verse; in its sexual candor; in its images of racial bonding and democratic togetherness; and in the intensity of its affirmation of the sanctity of the physical world.

This Anniversary Edition captures the typeface, design and layout of the original edition supervised by Whitman himself. Today's readers get a sense of the ur-text of Leaves of Grass, the first version of this historic volume, before Whitman made many revisions of both format and style. The volume also boasts an afterword by Whitman authority David Reynolds, in which he discusses the 1855 edition in its social and cultural contexts: its background, its reception, and its contributions to literary history. There is also an appendix containing the early responses to the volume, including Emerson's letter, Whitman's three self-reviews, and the twenty other known reviews published in various newspapers and magazines.

This special volume will be a must-have keepsake for fans of Whitman and lovers of American poetry.

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