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Willa Cather: Later Novels (Loa #49): A Lost Lady / The Professor's House / Death Comes for the Archbishop / Shadows on the Rock / Lucy Gayheart / Sap

Willa Cather: Later Novels (Loa #49): A Lost Lady / The Professor's House / Death Comes for the Archbishop / Shadows on the Rock / Lucy Gayheart / Sap

Hardcover

Series: Library of America Willa Cather Edition, Book 2

Classic FictionHistorical FictionLiterary Fiction

Currently unavailable to order

ISBN10: 0940450526
ISBN13: 9780940450523
Publisher: Library of America
Published: Jul 15 1990
Pages: 976
Weight: 1.41
Height: 1.22 Width: 5.22 Depth: 8.14
Language: English
This Library of America volume collects six novels by Willa Cather, who is among the most accomplished American writers of the twentieth century. Their formal perfection and expansiveness of feeling are an expression of Cather's dedication both to art and to the open spaces of America.

A Lost Lady (1923) exemplifies her principle of conciseness. It concerns a woman of uncommon loveliness and grace who lends an aura of sophistication to a frontier town, and explores the hidden passions and desires that confine those who idealize her. The recurrent conflict in Cather's work between frontier culture and an encroaching commercialism is nowhere more powerfully articulated.

The Professor's House (1925) encapsulates a story within a story. In the framing narrative, Professor St. Peter, a prizewinning historian of the early Spanish explorers, finds himself disillusioned with family, career, even the house that reflects his success. Within this story is another, of St. Peter's friend Tom Outland, whose brief but adventurous life still shadows those he loved.

Death Comes for the Archbishop (1927) tells the story of the first bishop of New Mexico in a series of tableaux modeled on the medieval lives of the saints. Cather affectionately portrays the refined French Bishop Latour and his more earthy assistant within the harsh and beautiful landscape of the Southwest and among the Mexicans, Indians, and settlers they were sent to serve.

Shadows on the Rock (1931), though its setting and subject are unusual for Cather, expresses her fascination with the curious endurance of a kind of culture, narrow but definite. It is a re-creation of seventeenth-century Québec as it appears to the apothecary Auclaire and his daughter Cécile: the town's narrow streets, the supply ships on its great river, its merchants, profligates, explorers, missionaries, and towering personalities like Frontenac and Laval, all parts of a colony struggling to survive.

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Cather, Willa

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Classic Fiction