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Errances et Cohérences dans les anamorphoses et les trompe-l'oeil en France: enjeux et pouvoirs de 1470-1600
Hardcover
Series: Currents in Comparative Romance Languages and Literatures, Book 258
ISBN13: 9781433185571
Publisher: Peter Lang Inc., International Academic Publi
Published: Dec 13 2022
Pages: 330
Weight: 1.40
Height: 0.81 Width: 6.00 Depth: 9.00
Language: French
Le livre Errances et Cohérences dans les anamorphoses et les trompe-l'oeil en France: enjeux et pouvoirs de 1470-1600 propose d'étudier le phénomène artistique et intellectuel du trompe-l'oeil et de l'anamorphose à ses débuts en France entre la fin du xve et le xvie siècle.
Bien que connus en Italie et en Espagne, ces deux courants artistiques, qui s'épanouissent à la Renaissance entre le Nord et le Sud du monde méditerranéen sont souvent passés inaperçus en France au fil des siècles.
Les deux projections soulignent un changement dans les représentations graphiques de la décoration, des ornements et de leur utilisation traditionnelle dans les écrits ou les livres. En se concentrant sur les châteaux français tels que Écouen, Tanlay ou Anet, l'école de Fontainebleau, Gargantua de Rabelais (1532-1534), les architectes français Philippe de l'Orme, Androuet du Cerceau, la narration de la première exploration de la Floride par le Français René Goulaine de Laudonnière et ses premières illustrations du graveur Jacques Le Moynes De Morgues reprise et distordue par Théodore de Bry, des imprimeurs tels que Geoffroy Tory dans son Champ fleury (1529), le livre examine les deux mouvements qui se complètent et trahissent ce qu'ils semblent articuler. L'ouvrage explore le sens de l'interaction entre les artistes et aborde le début d'un genre autonome pour l'écriture, la peinture et la sculpture avec l'émergence de relations historiques complexes des pratiques de l'époque. Le détournement des codes, apprécié par les humanistes et les artistes, indique leur aptitude au jugement critique et utilise une rhétorique de la déviance. Un impressionnant croisement d'images et de textes qui ne sont pas faits pour décorer, simuler ou consoler, mais pour agir, émouvoir le lecteur et nous donner accès à leur profondeur.
While many readers are familiar with the Italian Renaissance, and particularly with the fundamental work of Leonardo da Vinci, this book delves into the Renaissance as it took shape in France. The author details the history of-- and play on-- perspective as it came to affect works of architecture, sculptures, paintings, maps, stained- glass windows, and literature in France. The exploration of perspective through trompe- l'oeil revolutionized knowledge itself, as the author so aptly describes as she weaves together the intellectual developments that were happening in the world, and in France, at this time. With the rediscovery of ancient texts on mathematics, ways of seeing became vivified and renewed in the years between 1470 and 1600. Here, the author details the historic invitation to explore further the absolute certitude or givenness of man's position in the world. For a wonderful exploration of the way that distance, angles, proportion, light, and the viewer's position play on our very notion of space, this book is an excellent guide to the advances that were made during the French Renaissance. These advances in our ways of seeing can still be visited in modern- day France, if not in person then in the wonderful selection of photos and images that the author provides for readers to study.
-- Domenica Newell-Amato, Editor, Content Editing Lab, LLC
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