Open Daily: 10am - 10pm | Alley door pickup 10am - 7pm 3038 Hennepin Ave Minneapolis, MN
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  • Open Daily: 10am - 10pm
    Alley-side Pickup: 10am - 7pm

    3038 Hennepin Ave Minneapolis, MN
    612-822-4611

Open Daily: 10am - 10pm | Alley-side Pickup: 10am - 7pm
3038 Hennepin Ave Minneapolis, MN
612-822-4611
Sweet Nothings: Notes and Texts 1982-2014

Sweet Nothings: Notes and Texts 1982-2014

Van Den Berg, Mariska
Dumas, Marlene

Paperback

Art HistoryIndividual Artists

Currently unavailable to order

ISBN10: 1938922832
ISBN13: 9781938922831
Publisher: Distributed Art Publishers (DAP)
Published: Mar 24 2015
Pages: 256
Weight: 1.17
Height: 1.12 Width: 6.73 Depth: 8.08
Language: English

Published with Walther König, Köln.

From the beginning, language has played an important role in the work of Marlene Dumas. Her earliest collages make use of text, and she often writes poetical monikers or captions directly onto her drawings, such as The Eyes of the Night Creatures or Miss Interpreted. Over the last 30 years, the artist has written texts ranging from aphorisms, statements and short poetic pieces to longer analytical essays. Her writing focuses on her own work, discussing its subject matter, its politics, background and source material, as well as its critical reception and her own cultural position as an artist. I am always 'not from here, ' she writes in one text (a poem), even though I try to know / or understand 'what's going on' and / what the rules are and how they / keep on changing and what that means. / When looking at images I'm not lost, / but I'm uneasy. Sweet Nothings, originally published in a long out-of-print (and rare) Dutch edition in 1998 and now revised and expanded, provides a selection of her best and most representative writings from 1982-2014.

Marlene Dumas (born 1953) is a South African artist who works in a range of media including painting, collage and prints. She moved to Amsterdam for her studies in 1976 and continues to live and work there. She often strips her subjects of their original contexts, working with--while often transgressing and deconstructing--traditional Western modes of representation. She represented the Netherlands in 1995 at the 46th Venice Biennale, and has enjoyed numerous solo museum exhibitions and retrospectives devoted to her work around the world since then.

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